Portrait
Found in 74 Collections and/or Records:
jean-michel basquiat / Knotek, Anatol., 2003
La Dolce Vita: [Man Cutting Log] / Houedard, Dom Sylvester., 1962
La Dolce Vita is blind scored into the paper on the drawing of an extended hand. -- Source of annotation: Marvin or Ruth Sackner.
[Lady with scarf 1] / Houedard, Dom Sylvester., 1954
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
[Large Mother and Father with Baby] / Houedard, Dom Sylvester., 1957
Letters to the Great Dead: Stevie Smith / Furnival, John; Williams, Jonathan., 1984
This depicts a black and white portrait of Stevie Smith, the British poet with the caption, "Stevie, dressed for the corpse road, at Osmotherly." -- Source of annotation: Marvin or Ruth Sackner.
[m & j holding baby j] ] / Houedard, Dom Sylvester., 1956
m & j denote mary & joseph; j denotes baby joseph with "star of bethlehem" above them. -- Source of annotation: Marvin or Ruth Sackner.
[Man Holding Flag] / Houedard, Dom Sylvester., 1962
[Man in Urinal] / Houedard, Dom Sylvester., 1962
Mistah Leary, He Dead / Thompson, Hunter S. ; Brewton J ; Leary T., 1997
Tipped in simulated acid blotter sheet sectioned into small squares with a portrait of Timothy Leary. The announcement caes is cataloged as a separate entry but stored in this booklet. -- Source of annotation: Marvin or Ruth Sackner.
[Mother & Child] / Houedard, Dom Sylvester., 1960
[Mother & Father Smoking Marijuana (?) with Baby] / Houedard, Dom Sylvester., 1960
Both parents are depicted smoking and drinking alcoholic beverages. Perhaps this is a metaphor on the safety of cannabis compared to alcohol. -- Source of annotation: Marvin or Ruth Sackner.
[Multicolor Head and Abstract Image] / Depew, Wally., 1975
[Multiple Heads] / Houedard, Dom Sylvester., 1959
New York Times Magazine, The. Jul., 1996
The cover of this issue of Sunday Magazine of July 7, 1996 is a portrait photograph of Rimma Gerlovina and the six page article by Charles Siebert, "Effacing Ourselves - The Cuts That Go Deeper" is illustrated with five additional photographs by Rimma Gerlovia and Valeriy Gerlovin. -- Source of annotation: Marvin or Ruth Sackner.
Our Lady 1 / Houedard, Dom Sylvester., 1952
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
[Our Lady 2] / Houedard, Dom Sylvester., 1952
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
[Our Lady Abstraction 1] / Houedard, Dom Sylvester., 1953
[Our Lady Abstraction 2] / Houedard, Dom Sylvester., 1953
[Our Lady Abstraction 3] / Houedard, Dom Sylvester., 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
[Our Lady Abstraction 4] / Houedard, Dom Sylvester., 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.