With exception of the 1st page that curry has written in red ink, the remaining pages are carbon copies of the letter sent to David UU. curry wrote the Sackners that he retained a photocopy of the carbon copy for his own files. The letter deals mostly with UU's typewriter poetry book, High C. curry sketches the pages for the book after the poems by UU. He annotates and makes comments for each page. In the last 1/3 of the letter, he writes to UU on progress of projects in which both are involved. -- Source of annotation: Marvin or Ruth Sackner.

The folder contains the sequence of revisions for composing the poem. The poem deals with David Daniels perception of four children who are represented by silhouette shapes of their bodies. Their photographs are depicted on a page of this archive. -- Source of annotation: Marvin or Ruth Sackner.

The folder contains the sequence of revisions for composing the poem. The poem deals with NYC and consists of short rhyming lines in the shape of a cylinder being turned on a lathe with a lathe cutting tool. -- Source of annotation: Marvin or Ruth Sackner.

The folder contains the sequence of revisions for composing the poem. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo invites Houedard to his dip (postgraduate) show at St Martins and provides a typewriter map of the location.. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo's instructions state "unfold the sheet completely before reading preferably out of doors." The four letter poem is spaced as if floating in the air and reads "cool/wind/gale/blew/soft/dust/hard/into/pale/eyes/face. -- Source of annotation: Marvin or Ruth Sackner.

Discusses problems of collecting monies from persons who asked him to do typewriter poems but then claim that they cannot pay. Also, notes that a printer wants to do his Reversal Poems in type. -- Source of annotation: Marvin or Ruth Sackner.

Typed on green paper; Cinicolo requests that Houedard return his book, Sky Blue, for a postgraduate interview. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo writes that he is now working near his home in a design studio with a consortium of engineers and architects rather than in London. Includes a minimalist typed version of a house. At the bottom of the page Cinicolo types a greeting to Houedard for Easter. -- Source of annotation: Marvin or Ruth Sackner.

The instructions on the letter are to read it when held up against the light. In this mode, some words have letters with a double typed appearance and internal blank space. -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes that he is saddened by the plan to terminate Watford School of Art. Houedard's circular signature is spelled with a dotted y. -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Cinicolo for the 'blublublu" book. He also discusses the various spellings of his name Sylvester or Silvester. The letter includes a typewriter drawing of a red apple. -- Source of annotation: Marvin or Ruth Sackner.

Houedard expresses ideas and provides sketches for reversal poem, "Mind-Ache." -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Cinicolo for the 'blublublu" book. He also discusses the various spellings of his name Sylvester or Silvester. The letter includes a typewriter drawing of an apple. -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Cinicolo for the 'blublublu" book. He also discusses the various spellings of his name Sylvester or Silvester. The letter includes a typewriter drawing of a red apple. -- Source of annotation: Marvin or Ruth Sackner.

Original page from the Clean Sails book. -- Source of annotation: Marvin or Ruth Sackner.

This work has been taken from the Archive of O!!Zone 1997. -- Source of annotation: Marvin or Ruth Sackner.

These depict five sets of alphabets using slashes. dashes and parentheses marks. The letter 'x' was formed in only one of the five alphabets that used the 'M's' over 'Ws' letters. -- Source of annotation: Marvin or Ruth Sackner.