All pieces in this issue were created by Dirk Krecker on a manual typewriter. -- Source of annotation: Marvin or Ruth Sackner.

The image is created totally with dashes and equal signs in a fan-like configuration. -- Source of annotation: Marvin or Ruth Sackner.

The image is created totally with dashes and equal signs in a fan-like configuration. -- Source of annotation: Marvin or Ruth Sackner.

The image is created totally with slashes. -- Source of annotation: Marvin or Ruth Sackner.

This work is from John Furnival's scrapbook. It is shaped as an octagon and was folded and pasted into Furnival's book. The typewritings are of a red color. -- Source of annotation: Marvin or Ruth Sackner.

This is one of a series of artworks inspired by the work of Bruno Munari. On his web site, White muses, the images are"composed of graphITE, old letters/stamps/diagrams from the Porta Portese flea market, superimposed photos taken in Rome, [Ital.] red wine, [Ital.] coffee & MISC ephemera, grit, fingerprints & physical imPRESSions of Rome [with ADded REflections on Bruno Munari & starLING flight patterns." -- Source of annotation: Marvin or Ruth Sackner.

This is one of a series of artworks inspired by the work of Bruno Munari. On his web site, White muses, the images are"composed of graphITE, old letters/stamps/diagrams from the Porta Portese flea market, superimposed photos taken in Rome, [Ital.] red wine, [Ital.] coffee & MISC ephemera, grit, fingerprints & physical imPRESSions of Rome [with ADded REflections on Bruno Munari & starLING flight patterns." This is subtitled 'Stair of Zion.' -- Source of annotation: Marvin or Ruth Sackner.

This is one of a series of artworks inspired by the work of Bruno Munari. On his web site, White muses, the images are"composed of graphITE, old letters/stamps/diagrams from the Porta Portese flea market, superimposed photos taken in Rome, [Ital.] red wine, [Ital.] coffee & MISC ephemera, grit, fingerprints & physical imPRESSions of Rome [with ADded REflections on Bruno Munari & starLING flight patterns." -- Source of annotation: Marvin or Ruth Sackner.

The entire patterned typing and the frame are composed of o's. Four apparent spheres are enclosed by the square. -- Source of annotation: Marvin or Ruth Sackner.

The square border of this work is formed from typed "6's" and "9's." A circle internal to the border is formed from parallelograms that are typed from slash marks. -- Source of annotation: Marvin or Ruth Sackner.

The image is composed of parallelograms made of slashes and dashes with added quotation marks. -- Source of annotation: Marvin or Ruth Sackner.

This typing is created totally with slash marks. -- Source of annotation: Marvin or Ruth Sackner.

Original page from the Clean Sails book. -- Source of annotation: Marvin or Ruth Sackner.

From a large center figure the shape of a man's head emerges from the interior space created by the surrounding typescripts. Two smaller clusters of type create oval blank spaces.Charles Cameron wrote, "brilliant concrete self-portrait signed dsh done for me & given to me, dated 1964, featuring his head & shoulders as a blank space surrounded by the words "supercool nothing behind my innermost mask" - sylvester was a published authority on zen and frieind of the beats! - with lettra 22 roller / blue carbon effects in background, slight tear & fold, slightly aged, to my mind the finest of his concrete works I've ever seen, both self-portrait and masterpiece". -- Source of annotation: Marvin or Ruth Sackner.

This typing is created totally with o's and parentheses.. -- Source of annotation: Marvin or Ruth Sackner.

Original page from the Clean Sails book. -- Source of annotation: Marvin or Ruth Sackner.