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Xerox art

 Subject
Subject Source: Sackner Database

Found in 6 Collections and/or Records:

Curvd H&Z: White Sound: A Varient. No.121/Jan / bp Nichol., 1982

 Item
Identifier: CC-18237-18609
Scope and Contents

Also designated th wrecking ballzark #36 and Gronk intermediate series No.7. This is the 2nd supplementary edition first published in Ganglia 1976. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

Gronk Intermediate Series: White Sound. No.7 / bp Nichol ; Aylward D., 1976

 Item
Identifier: CC-36860-38693
Scope and Contents

This book was first published in an edition of two copies in 1966 as a collaboration with David Aylard. One copy is in the Hans Sohm Archives and the other was retained by Nichol. It was made with a combination of rubberstamping and mimeography. The present book was composed with a combination of rubberstamping and photocopying. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Sharp Facts: Some Selections from Translating Translating Apollinaire 26 / Nichol, bp., 1980

 Item
Identifier: CC-05561-5668
Scope and Contents

Nichol demonstrates "copying machine disintegrative tendencies" by repeatedly putting the same text through four different photocopying machines. The text breaks down until it gradually disappears, so that "the machine is the message." The process is the same as that employed by Emmett Williams in a series of poems that are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Strange Grey Town / Aylward, David ; Nichol, bp ; levy da., 1966

 Item
Identifier: CC-26581-27050
Scope and Contents

The title page states "(concrete poem project for daLevy & the poets of cleveland)." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966