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Drama

 Subject
Subject Source: Library of Congress Subject Headings

Found in 130 Collections and/or Records:

Just Adrian / Mitchell, Adrian., 2011

 Item
Identifier: CC-54838-990268
Scope and Contents

These essays and theater criticism are from the archive of the late writer and critic, Adrian Mitchell. The book was edited by Celia Mitchell and Daniel Cohen. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Knots by R.D. Laing / curry, jw; Necakov, Lillian., 1985

 Item
Identifier: CC-19869-20257
Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Kurt Schwitters Foul Play / Crombie, John ; Schwitters K., 1996

 Item
Identifier: CC-46388-49113
Scope and Contents

This is a short play translated from the German "Kommernisspiele - Ein dramatischer Entwurf," into English with experimental typography. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

La Signora Proteo / Bertozzi, Gabriele-Aldo ; Aga-Rossi L ; Merante A ; Mattioli G., 1995

 Item
Identifier: CC-24108-24560
Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

La Signora Proteo / Bertozzi, Gabriele-Aldo ; Merante A., 1990

 Item
Identifier: CC-22856-23292
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

L'Armoire / Chopin, Henri., 1963

 Item
Identifier: CC-17026-17382
Dates: 1963
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Le Colporteur d'Images, 1997

 Item
Identifier: CC-41371-43354
Scope and Contents

ThIs book follows the romantic adventures of A (L'Amoureuse) and M (Le Marchand) though a poetic, typographic landscape in Paris. Quesemand is the author of the texts and Berman is the graphic designer and illustrator of this humorous and sophisticated book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Le Colporteur d'Images, 1997

 Item
Identifier: CC-41558-43548
Scope and Contents

ThIs book follows the romantic adventures of A (L'Amoureuse) and M (Le Marchand) though a poetic, typographic landscape in Paris. Quesemand is the author of the texts and Berman is the graphic designer and illustrator of this humorous and sophisticated book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Lettrisme: Socrate Juge par Esculape. No.16/Dec / Maurice Lemaitre., 1970

 Item
Identifier: CC-60469-56041
Dates: 1970
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Liste 2/86 (Asthetik un Provokation 1947-1984) / Bisson-Millet, Paule-Leon., 1986

 Item
Identifier: CC-21510-21921
Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Magic Afternoon/Change/Party for Six / Bauer, Wolfgang., 1969

 Item
Identifier: CC-21349-21760
Scope and Contents Also designated pocket 2.Wikipedia: Bauer was born in Graz, Styria. His breakthrough play was Magic Afternoon [current record] in 1967, in which he portrays four youths who interrupt their lazy and boring afternoon by unmotivated outbreaks of violence and aggression (Magic Afternoon was adapted for the screen most recently by Catherine Jelski in 2000 as The Young Unknowns). After two more successes, Change (1969) and Gespenster (Ghosts, 1973), Bauer's plays became increasingly surreal and experimental. Bauer though resisted any labelling by academia and critics alike until his death. Most of his plays during 1967 and 1990 were translated into English by Martin Esslin, remembered for coining the term Theatre of the Absurd. In the late 1970s and early 1980s San Francisco's Magic Theatre performed almost each season a play of Bauer, 1993 his play Tadpoletigermosquitos at Mulligan's was premiered at New York's Ohio Theatre. Wolfgang Bauer was a heavy smoker and drinker. After a series...
Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

mann fur mann / Mon, Franz., 1965

 Item
Identifier: CC-50780-71858
Dates: 1965
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Mary Jayne “MJ” Williams papers

 Collection
Identifier: IWA1339
Abstract

English teacher and drama director for over forty years in Fairfield, Iowa and Iowa City, Iowa.

Dates: 1959 - 2002
Found in: Iowa Women's Archives

Masses are Asses / Pietri, Pedro., 2003

 Item
Identifier: CC-41365-43348
Scope and Contents

This book was first published by Waterfront Press in 1984. It is an absurd political drama along the lines of the plays by Ionesco or Beckett. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Modom: Barbaric Bart Visits God. No.14 / Bob Grumman ; Malok., 1992

 Item
Identifier: CC-06377-6494
Scope and Contents

The visual poetic cover was designed by Malok. This issue was edited by Jack Berry. Stored with Jack Berry publications. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Orpheus: A World in Chorus; A 20th Century Literature of Synthesis / Barzun, Henri Martin ; Joyce J ; Pound E ; Apollinaire G ; Goll Y., 1962

 Item
Identifier: CC-43451-45514
Scope and Contents

Dr. Barzun was born in France, where his youthful scholarly associations put him in close contact with the earliest trends in modernist poetry, art, and music in the 20th Century. He contributed to the early Dada movement through his poetry and was a friend of and collaborator with early French cubists. According to Barzun, the Orphic movement in literature relates to "Simultaneity" in art (c.1910). A good example of this movement is James Joyce's Ulysses. The text iof this book is very dense with philosophical issues but an exact definition of the Orphic movement with examples is not presented. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1962
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Otello by Giuseppe Verdi / Tom Phillips, translator., 1998

 Item
Identifier: CC-31244-32714
Scope and Contents

The ENO presents operas in English with British cast members. Tom Phillips designed the set and also translated the libretto into English. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

PALPI (Poetry and Little Press Information). No.33/Oct / Ian Robinson, editor., 1994

 Item
Identifier: CC-04917-5014
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

PALPI (Poetry and Little Press Information). No.34/Mar / Ian Robinson, editor., 1995

 Item
Identifier: CC-28861-30181
Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Pink Melon Joy And More / Finlay, Ian Hamilton., 1983

 Item
Identifier: CC-12076-12300
Scope and Contents

Deals with an imagery conversation among Gertude Stein and Strathclyde region tax collectors and officials regarding Finlay's tax problems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

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