Scope and Contents

Laurie Anderson wrote the introduction to the book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Starting from the work of pioneers of the historical avant-gardes, this volume reconstructs synthetically the vicissitudes of artists' postcards, ranging from the conceptual mailings of Fluxus to the multicoloured oddities of the planetary circuit of mail art, from unusual unique pieces" to the most stimulating alternative and New Pop editions, up to the phenomenon of promotional free-cards and to the virtual e-cards via Internet." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Tom Phillips' The Birth of Art (1973), 10 etchings, is depicted on page 85; this work is not held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a scholarly work which analyzes the artist book in several contexts including the book as idea and form, early 20th century avant-garde books, the codex, the book as a visual form, books as verbal exploration, and the book as document. The Sackner Arcvhive is mentioned in a footnote and as a major source of Johanna Druckers collected works. Drucker provides classification of artist books through headings and examples throughout this book but omits listing them in a tabular form for easy access. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a personal history of international artists' magazines from 1968-1988. For the bibliographic section, there is an ikon for each of the following: multimedia publication, fluxus/concept/neodada, concrete & visual poetry/experimental literature, assembling, mail art/network publication, rubber stamp, xerography/copy & electrographic art, graphism/graphzine, radicalism/neoism, theory/review/history, and by/about computer. Toward the end of this boo,k Perneczky provides a complete listing of Commonpress issues. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The Postcard Century tells the story of the last hundred years in its own words and images. Two thousand picture postcards and their messages provide a living account of the daily existence of people and a vivid glimpse of what mattered to them, pleased them, shocked or amused them via the cards they chose to send. Tom Phillips provides a commentary on the visual material, giving a perceptive and thoughtful context for the messages. This book gives a unique glimpse into the hearts and minds of the people who lived through the most turbulent century in our history. Phillips' introduces this book with a history and account of postcards and postcard collecting. Phillips indicates in the introduction that the book is arranged such that each annual section features a view of Picadilly Circus and another of the New York skyline, all posted in the that year. This choice relates to one of his artistic parallel streams of creativity, images changed by the passage of time. Further, this...

Scope and Contents The Postcard Century tells the story of the last hundred years in its own words and images. Two thousand picture postcards and their messages provide a living account of the daily existence of people and a vivid glimpse of what mattered to them, pleased them, shocked or amused them via the cards they chose to send. Tom Phillips provides a commentary on the visual material, giving a perceptive and thoughtful context for the messages. This book gives a unique glimpse into the hearts and minds of the people who lived through the most turbulent century in our history. Phillips' introduces this book with a history and account of postcards and postcard collecting. Phillips indicates in the introduction that the book is arranged such that each annual section features a view of Picadilly Circus and another of the New York skyline, all posted in the that year. This choice relates to one of his artistic parallel streams of creativity, images changed by the passage of time. Further, this...

Scope and Contents

The first 75 postcards are generally ones that Andryczuk addressed to himself; he titled them the "Lobo 1998" cards. Therafter, the project becomes collaborative with other poets and artists. -- Source of annotation: Marvin or Ruth Sackner.