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Lissitzky, El, 1890-1941

 Person

Found in 157 Collections and/or Records:

No.10 / Carus Gallery ; Lissitzky E ; Kruchenykh A ; Khlebnikov V ; Matiushin M ; Goncharova N ; Iliazd ; Schwitters K ; Hausmann R., 1982

 Item
Identifier: CC-16585-16938
Scope and Contents

This catalogue lists "Poesie des Mots Inconnu" by Iliazd, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

No.15: Fall-Winter / Adam, Alice ; Lissitzky E ; Schwitters K ; Moholy-Nagy L., 1990

 Item
Identifier: CC-25386-25843
Scope and Contents

In this catalogue, there is a photographic reproduction and documentation of Lissitzky's "Beat the Whites with the Red Wedge." The image size of ~18 x ~22 inches is identical to the poster held by the Sackner Archive. However, there are differences in the cluster of forms in the upper right corner. The authenticity was documented by Eugene Kotvin, Curator of Prints, Russian Museum, Leningrad. Kotvin noted that there were two editions of the print with two lithographic matrices produced in Unovis Workshop owing to the large numbers required. This explains the typographical differences among posters. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

No.101: Modern Art / Ars Libri ; Hugnet G ; Iliazd ; Itten J ; Lissitzky E ; Malevich K ; Marinetti FT ; Ting W., 1994

 Item
Identifier: CC-26641-27111
Scope and Contents

The cover of the catalog reproduces "Beat the Whites with the Red Wedge" by El Lisssitzky. A version of this poster is held by the Sackner Archive. Other works listed which are held by the Archive include "For the Voice," "Wendingen," "Cannibale," Chernikhov's "Ornament," Iliazd's "Easter Island," and "Proverbe." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

No.111: some dada and other books / Vloemans, John A. ; Apollinaire G ; Lissitzky E ; Marinetti FT ; Itten J ; Depero F ; Ernst M ; VanDoesburg T ; Huidobro V ; Schwitters K ; Teige K ; Biebl K., 1987

 Item
Identifier: CC-32736-34325
Scope and Contents

The cover is a print from Max Ernst's "Fiat Modes" (1919), a Dada print suite that called for 60 copies. However, Ernst destroyed most of the copies because of the quality of the paper used and only a few copies are known to exist. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987