This exhbition in 1967 was the first manifestation of the international postwar Avantgarde Art in Germany. -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips' "Divine Comedy" and Jasper Johns' "Fizzels," mentioned in the review are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The closing paragraph states, "An interesting side note involves the Miami contribution. Because some of this work was intentionally prefab and repetitive, there are similar models of certain pieces. So when the Getty collection refused to allow 30 donated works to travel for this show, what a surprise it was to find replacements right here: 28 came from the private collection of Ruth and Marvin Sackner, a testament to the significance of local collections." -- Source of annotation: Marvin or Ruth Sackner.

This publication is folded such that it consists of 32 pages. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Alec Finlay. -- Source of annotation: Marvin or Ruth Sackner.

Important conceptual art piece that gives instructions by each artist to a Projects Class. Byars gave his instructions in microscopic text. -- Source of annotation: Marvin or Ruth Sackner.