Scope and Contents

The theme of this exhibition by 18 artist participants was the creation of environmental art. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Exhibition catalogue edited by Alice Legg and published in conjunction with exhibition at MOMA held February 3 - April 4, 1978. Catalogue was designed by LeWitt, and includes essays on LeWitt by Robert Rosenblum, Lucy R. Lippard, and Bernice Rose. Also included are a list of illustrations, a selection of writings by Sol LeWitt, a selected bibliography and list of exhibitions. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is an excellent, brief essay on the status of artist' books in 1982. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This work was dedicated to Sol Lewitt. A leaflet placed at the beginning of this project by Wally Depew states the following with regard to his wife, Linda. "The box and the eight page, single sheet, folded books were cut, folded and formed by Linda. Linda Words Poem was coloured and painted by Linda. The sewed books were sewed by Linda. The whole project was overseen, criticized and approved by Linda. Thanks Fee, you keep the fun in life." The works in this project employ a large number of fonts and are particularly focused but not exclusively on transmorfation, e.g., beginning with one word and passing through several alterations of the letters to form another word. This work is a partial summation of the artistic/poetic of Wally and Linda Depew.Obituary Contra Costa Times: Wally Depew, an artist, musician, poet and writer, died August 18, 2007 in Patagonia, Arizona, two months after being diagnosed with pancreatic cancer. He was 69. A native of Scranton, Pa., he was a Phi Beta...

Scope and Contents

The letters of the typings in this exhibition made with an IBM Selectric electrical typewriter were done in lowercase Letter Gothic font. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Internet: Masterpieces, the cliche goes, spring fully formed from the dark imaginations of temperamental geniuses moved by intuition, inspiration, and epiphany. Such revelations can certainly fuel the creative process, but so too can auspicious accidents, false starts, or even failures. In printmaking, these occurrences are typically recorded in preliminary impressions known as working proofs. Printmaking thus affords an exceptional opportunity to examine this complex and contingent aspect of the creative process. Yes, No, Maybe looks at sequences of artistic choices by juxtaposing fully resolved prints and related working proofs produced at the influential studio Crown Point Press between 1972 and 2010. This catalogue also provides background information for the proof copies of Tom Phillips Dante's "Inferno" that are held by the Sackner Archive, -- Source of annotation: Marvin or Ruth Sackner.