A small square is divided by a heavy black, vertical line. On the left are two lines of numbers and two lines of letters in lettraset. On the right are nine lines of handwriting in ink. -- Source of annotation: Marvin or Ruth Sackner.

The main text of this book is followed by a section of 100 examples of pattern poems, each printed one to a page, that were written in Portugal between the 17th and 18th century. -- Source of annotation: Marvin or Ruth Sackner.

The drawing is composed with small cursive writing. The shape of the drawing resembles a Henry Moore sculpture. It is depicted in Hatherly's exhibition catalogue "Hand Made" on page 10. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was devoted to contemporary Portuguese art in the Luso-American development foundation. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of varied sized black spheres on short, wave-like lines. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts a loose lattice of abstract shapes filled with gray watercolor; fine inked calligraphic markings are connected to their edges. -- Source of annotation: Marvin or Ruth Sackner.

The words barely legible, Boas Festas is repeated and overlapped on the recto. -- Source of annotation: Marvin or Ruth Sackner.

The title is written several times in white paint on green paper running from top to bottom. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of short lines of handwritten strokes creating a design that resembles a bush. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of long, vertical ink strokes that resemble wild grass. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of red and black ink spheres and varied sized circles connected by lines. -- Source of annotation: Marvin or Ruth Sackner.

Ana Hatherly's article is titled "Piramides Obeliscos Mausoleus e Lisonjas do Barroco Portugues." The text is illustrated with 14 Baroque pattern poems. -- Source of annotation: Marvin or Ruth Sackner.

Ana Hatherly's article is titled "Enigmas Barrocos Portugueses" -- Source of annotation: Marvin or Ruth Sackner.

This exhibition included representative poems by contemporary Portugese poet/artists. Fernando Aguiar's drawing "Murmurios Acerca de um Soneto," Cesar Figueiredo's collages "Solar" and Alberto Pimenta's collages "Viagem Poetica" are reproduced in the catalogue. All the originals are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This Exhibition included representative poems by contemporary Portugese poet/artists. Fernando Aguiar's drawing "Murmurios Acerca de um Soneto," Cesar Figueiredo's collages "Solar" and Alberto Pimenta's collages "Viagem Poetica" are reproduced in the catalog. The originals are held by the Sackner Archive. The poster is an exhibition announcement. The pages have become detached from the glued binding. -- Source of annotation: Marvin or Ruth Sackner.

The card, covered with cursive handwriting with flourishes, is particularly dense at the upper left and lower right sections. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of a pattern created by the repetition of alternating light and dark lines with heavily inked spots. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of dense lines of handwriting covering almost the entire page. -- Source of annotation: Marvin or Ruth Sackner.