All the images consist of female nudes superimposed on texts that have English or made up words. The colors in the prints appear to have been manipulated in PhotoShop to give a solarized effect. -- Source of annotation: Marvin or Ruth Sackner.

The book contains 28 poems written in a stream of consciousness style. The covers are printed with fragmented texts. -- Source of annotation: Marvin or Ruth Sackner.

Each print consists of a language poem with a superimposed solarized image of a young woman. Some of the poems reference the Iraq war. Reed Altemus is the publisher of Live Matter. -- Source of annotation: Marvin or Ruth Sackner.

The images are negative images of small objects produced with frottage. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes a critical essay on Language Poetry by Susan Nash Smith. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes a section from Jake Berry's "Brambu Drezi Book Two." The Sackner Archive holds the manuscript of this book as well as the trade edition book. -- Source of annotation: Marvin or Ruth Sackner.

Six pages from Jake Berry's Brambu Drezi Book 2 are reprinted; the Sackner Archive holds the manuscript of this book. This issue includes one of the early appearances of Michael Basinski's calligraphic poems. -- Source of annotation: Marvin or Ruth Sackner.

The covers were designed by John M. Bennett and Tim Gaze. -- Source of annotation: Marvin or Ruth Sackner.

Jack Foley writes about language poetry, He states that in its movement away from speech and towards "writing as such," language poetry emphasizes the visual; writing is a visual art! However, it does not push visual into the realm of concrete or pattern poetry, which often cannot be spoken at all. "The words in language poetry CAN be spoken, even if speech is not the key to opening the poem. Concrete poetry is just one aspects of the 'experimental' with with language poetry does not concern itself." -- Source of annotation: Marvin or Ruth Sackner.