In this anthology, several obsolete, archaic words are depicted in a visual poetic style, e.g., scurryfunge - Scurryfunge - a hasty tidying of the house between the time you see a neighbor and the time she knocks on the door, dodrantle(sic) [dodrantal] a male stripper's instrument 9" in length. Another card depicts "Plunderphonics" that is applied to any music made by taking one or more existing audio recordings and altering them in some way to make a new composition. There is no attempt to disguise the fact that the sounds making up the composition have been "borrowed" in this way, and sometimes the sounds may be taken from very familiar sources. Plunderphonics can be considered a form of sound collage. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue lists the holdings of the mail art library of Lois Klassen with a classification system of this genre. The card is handwritten from Patricia Collins to Marvin Sackner who sent the book to him as an "exhibition catalogue that might be of interest." -- Source of annotation: Marvin or Ruth Sackner.

This issue of the street newspaper, Motz, paper is dedicated to publishing a political statement about the homeless. It also serves as an exhibition catalogue of mail art contributions held at the Willy-Brandt-Haus in Berlin. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this work is ants and insects. -- Source of annotation: Marvin or Ruth Sackner.

On the back cover, it is stated that Keiichi Nakamura is a Japanese mail artist. He was born in 1960. He has been making Visual poetry and Mail art since 1994. -- Source of annotation: Marvin or Ruth Sackner.