Scope and Contents This exhibition, curated by Kornelia Roder, provides an extensive review of Mail Art examples and exhibitions in Eastern Europe. It is well documented with respect to visuals and text. Several practitioners have contributed essays. Among them, Guy Schraenen's "Addressee Unknown" is particularly relevant to the field. He writes, "Although Mail Art was influenced by visual and concrete poetry, a language of pictures internationally understood, it was English that became the language of Mail Art right from the start. This is the reason why you speak of Mail Art rather than of Art Postal, Arte Postale, Arte Correo or Postkunst...Postal items to unknown addressees have created a circle of related minds. Such ties are the grandeur of a worldwide movement of communication. But Mail Art is only a facet of it. Mail Art used to be a fashion, and as a fashion it will again disappear. It has, however enriched the international art scene by numerous works which otherwise would have been...

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This issue includes a collection of translations of Hans Arp, Anselm Hollo, Franz Mon and Gerard Ruhm by the OBERIU group. -- Source of annotation: Marvin or Ruth Sackner.

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The cover illustration was done by Gleb Bogomolov. -- Source of annotation: Marvin or Ruth Sackner.

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The cover illustration was done by Vlladimir Ufkyand. -- Source of annotation: Marvin or Ruth Sackner.

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Genrikh Buferev is another name for Genrikh Sapgir. This issue includes the contents of issues 1-24 plus an ad for Feofan Buka's edition of 10 copies for a literary supplement to to Transponance. The latter is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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In this issue, Genrikh Sapgir uses his other name Genrikh Bufarev for his contribution, -- Source of annotation: Marvin or Ruth Sackner.

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Issue 28 that included works by Rea Nikonova, Serge Segay, Boris Konstrictor, Leonid Voytsekhov, Leon Bogdanov, Dmitry Prigov, and Vladimir Erl' was not offered to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The punctuation poems in this issue are dated 1960. Some of the photographs in this issue are actually photograms. -- Source of annotation: Marvin or Ruth Sackner.