In an interview, Segay mentions "Transponance," the Samizdat art magazine by Segay and Nikonova that is held in the Sackner Archive. Also, he discusses problems with mail communucations from Russia. Indicates that he works as curator in the Yesjk Museum in Eysk. States that his rubberstampings of pictographs were based on Chicherin's manifesto, "Kan Fun" (1926) and influenced by rubberstampings of Zaum language by Kruchenkh (1916). This book contains 20 rubberstampings, one to a page. -- Source of annotation: Marvin or Ruth Sackner.

This is part of the photodocumentation (of the artists) for Deschamp No.3. -- Source of annotation: Marvin or Ruth Sackner.