Scope and Contents

A red blank grid printed on each page progressively decreases in number of its elements from the beginning to end. Each poem is imagined by the caption to its right, e.g., 15 x 30 words, 14 x 28 words, 13 x 26 words, etc. -- Source of annotation: Marvin or Ruth Sackner.

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This exhiition dealt with Nannucci's book and art works and those published by Zona and Exempla editions. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Ugo Carrega and Mario Diacono. -- Source of annotation: Marvin or Ruth Sackner.

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Nine books and drawings held by the Sackner Archive are depicted and annotated as "Collezione privata, Miami Beach" in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Nine books and drawings held by the Sackner Archive are depicted and annotated as "Collezione privata, Miami Beach" in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This exhibition was curated by Claudio Parmiggiani. Several books held by the Sackner Archive at one time or another were displayed in this exhibition. These included among others, Cendrars & Delaunay's Transsiberian Railway, Apollinaire's colored copy of the Survage-Lugat catalogue (5/10); Lissitzky & Mayakovsky's For the Voice, Marinetti's Tin Book, Soffici's Bif&+18 (deluxe edition), Lissitzky's Two Squares, Belloli's Solo nel Sole, Mesens & Magritte's Poemes 1923 - 1958, and Depero's Depero Futurista. A page from Flavio Vegezio's "De re Militari," 1523 is reproduced; the typographic layout of using letters for battlefield positions is similar to Eliano De Nomi's book, "Ordini Militari" that is held by the Sackner Archive. The Futurist periodical, Vela Latina, is described on page 303. The content dwells more upon ancient shaped poetry and hermetics than contemporary concrete poetry. The book reproduces several examples of Hebrew religious poems and Kaballah. --...

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Consists of Italian titles centered on two of the pages, "White Vagina" (printed in black ink) that denotes two white, blank pages and "Inscribed Vagina" (printed in white ink) hat denotes two black, blank pages. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Luciano Caruso and Sonia Puccetti. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Luciano Caruso and Sonia Puccetti. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Edited by Luciano Caruso and Sonia Puccetti. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Edited by Luciano Caruso and Sonia Puccetti. -- Source of annotation: Marvin or Ruth Sackner.

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The theme of this issue is James Joyce's "Finnegans Wake." Libro d'artista in cui si riscontrano influenze teoriche e linguistiche di James Joyce, di cui Diacono aveva appena tradotto in italiano alcune pagine di Finnegans Wake (1961) Con quest'opera Diacono si manifesta come uno dei più fedeli e coerenti discepoli italiani di Joyce. According to a section entitled "segni," two pages of concrete poetry were composed 1959-60 and are depicted here intwo images. -- Source of annotation: Marvin or Ruth Sackner.