Each page depicts a concrete poem in the shape of an hourglass. -- Source of annotation: Marvin or Ruth Sackner.

This painting depicts a 10 x 15 grid of the number '1' formed by stencilling onto the masonite primed surface. This painting is photographically reproduced in Poezja No.7, 1972, a periodical also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner. (Correction -- grid is 8 x 15. 7/26/23, edited by CD)

The closing paragraph states, "An interesting side note involves the Miami contribution. Because some of this work was intentionally prefab and repetitive, there are similar models of certain pieces. So when the Getty collection refused to allow 30 donated works to travel for this show, what a surprise it was to find replacements right here: 28 came from the private collection of Ruth and Marvin Sackner, a testament to the significance of local collections." -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Lyn Zelevansky at the LA County Museum of Art. -- Source of annotation: Marvin or Ruth Sackner.

Critical essays on Finlay's work and specific poems are provided by Piotr Rypson and Tadeusz Slawek, respectively. The illustrations in this catalogue depict prints and cards of Finlay's work. -- Source of annotation: Marvin or Ruth Sackner.

Each print consists of a two poems, one printed recto and the other verso on papercard stock. -- Source of annotation: Marvin or Ruth Sackner.