Edited by Anna Oberto, Martino Oberto, and Ugo Carrega. -- Source of annotation: Marvin or Ruth Sackner.

Includes supplements A & L. The duplicate copy is missing the pamphlet entitled Martino Oberto. -- Source of annotation: Marvin or Ruth Sackner.

Includes supplements A & L. -- Source of annotation: Marvin or Ruth Sackner.

Titled "Ana Etcetera" and includes supplement. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a partially legible phrase printed vertically across the poster. -- Source of annotation: Marvin or Ruth Sackner.

Poster includes written Italian words and words using a made-up language typical of Oberto's style of presentations. Oberto ("OM") [1925-2011] was a visual poet, asemic writer, anarchist, anartist, founder of the seminal vispo mag "Ana etcetera" (1958-70). He exhibited in solo and collective shows (with Munari, Dorfles, Fontana and many others) from the 50s up to 2011. He also made experimental movies, and wrote philosophical essays about writing & art. He lived in New York for a decade or so, then came back to Genoa in the 90s. -- Source of annotation: Marvin or Ruth Sackner.

This is an excelent source for the listing of small press, artist and poet magazines in the 1960s -1970s. -- Source of annotation: Marvin or Ruth Sackner.

Depicts a grainy photographic image of a full-figured man apparently suspended in mid-air during a vertical jump with a caption in a made-up language. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Luiggi Ballerini who organized it into two sections:1912 to 1940 and 1941 to 1972. Jan van der Marck contributed a lively and scholarly description of the work of Gianfranco Bauchello.The Sackner Archive holds a layered box by Baruchello which alludes to the science mentioned in the essay. Mary Ellen Solt writes about Carlo Belloli's work. The catalogue contains an anthology of essays relating to works in the exhibition; these include texts by F.T. Marinetti, Anna and Martino Oberto, Ugo Carrega, Miccini, and Perfetti. These Italian visual poets are also accomplished critics of the visual poetic scene. Fortunato Depero's books, "Compari 1931" and "Depero Futurista," and, Marinetti's Zang Tumb Tuuum," and D'Albissola's "L'Anguria Lirica," are held by the Sackner Archive among others included in this exhibition. The the breadth of material presented in this genre was outstanding. -- Source of annotation: Marvin or Ruth Sackner.

This brochure is unfolded. -- Source of annotation: Marvin or Ruth Sackner.

This polemic is a reprint from the periodical, Rosso No.1. -- Source of annotation: Marvin or Ruth Sackner.