Auction catalogue. The stapled pages list prices realized. -- Source of annotation: Marvin or Ruth Sackner.

This is the first trade edition in a gray cloth cover. -- Source of annotation: Marvin or Ruth Sackner.

Letter typed such that a large blank space spells thanks when the reader squints. Cook thanks Marvin Sackner for sending him the Archive listing and mentions d.a. levy material and a his visit to Miriam Patchen. -- Source of annotation: Marvin or Ruth Sackner.

This is an anti-war novel in which the sense of the progression of time is exluded, i.e., characters appear to have died but resurface on later pages as if they never died at all. The book is a masterpiece of experimental writing on a par with the experimental fiction of James Joyce. This is the fifth editon, the number of copies is unknown. -- Source of annotation: Marvin or Ruth Sackner.

The poem reads as follows: He bangs his wings on the table! - Still no service! - What's the matter with that waiter! - Wow! Smell that roast biff! - Ah! he takes out a stick of dynamite - Brr-ump! That should teach them! - But nothing happens! - Of course, obviously, the dynamite of an angel that size - Does not (unfortunately) pack very much of a wallop. -- Source of annotation: Marvin or Ruth Sackner.

Miriam was the wife of Kenneth Patchen. The background of this print was handcolored by Kenneth Pathchen.The text reads," Before the girl picking field daisies - Becomes the girl picking field daisies - There is a moment of some complexity." -- Source of annotation: Marvin or Ruth Sackner.

Miriam was the wife of Kenneth Patchen. The background of this print was hand colored by Kenneth Pathchen. The text reads, " Before the girl picking field daiseis - Becomes the girl picking field daisies - There is a moment of some complexity" -- Source of annotation: Marvin or Ruth Sackner.

The poems date from 1955 and were printed in the portfolio, Glory Never Guesses 1955. The paper stock in this book differs from the paper used in their first publication. -- Source of annotation: Marvin or Ruth Sackner.

Coblentz expresses highly negative feelings about contemorary poets writing experimental and concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Charles Maden selected the poems and designed this book and Tye Bernick painted the covers. -- Source of annotation: Marvin or Ruth Sackner.

The background of this print was hancolored by Kenneth Pathchen. -- Source of annotation: Marvin or Ruth Sackner.