Perneczky bound 24 books with colored ribbons based on fractal theory. He chose the number 24 as an homage to J.S. Bach's "Well Tempered Clavichord." -- Source of annotation: Marvin or Ruth Sackner.

This periodical was edited by Maarten Beks, Pierre Borgue, Nathaly Bouvy, Hans Brand, Jan Brand, Geurt van Dijk, Urias Noteboom, Wim Scheepens, and Hans Witte. -- Source of annotation: Marvin or Ruth Sackner.

About one half of this book consists of essays by several contributors that deal with various aspects of Kassak's work and life. The second half depicts reproductions of Kassak's work with Hungarian and English titles. -- Source of annotation: Marvin or Ruth Sackner.

Content consists of the word "feces" rubberstamped on sheets of toilet paper in different languages. -- Source of annotation: Marvin or Ruth Sackner.

Presented and created by Bill Gaglione and edited by Ted Purves who state that art scholars consider Kocman the neo-father of contemporary stamp art aka rubberstamping art. Onthe inside back cover, Kocman has handwritten [facsimile] a paraphrasse by Wittgenstrin "The limit of my languafe is the limit of my world" as "The limit of my love is the limit of my world." -- Source of annotation: Marvin or Ruth Sackner.