David Dalby provides an introductory essay entitled "Africa and the Written Word." -- Source of annotation: Marvin or Ruth Sackner.

This book depicts Qotbi's paintings from 2006 through 2009 in color as well as some with detailed views. In these new works, his color palette has become fuller and he has also added simplified faces in some of these paintings. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds several of Dupont's bookworks listed and depicted in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The text of this book was written by Butor and the etchings made by Qotbi. This deluxe edition includes additional suite of five etchings by Qotbi on Japon paper, each signed and numbered 5/10. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts Senghor's books illustrated by various artists. -- Source of annotation: Marvin or Ruth Sackner.

The finely printed etching in blue colored ink contains an image of a hanging man (taken from a Tarot card?) in its center section. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Butor and Qotbi. Michel Sicard contributed an essay in which he defiined the types of work that Butor entered into a collaboration with artists. -- Source of annotation: Marvin or Ruth Sackner.

This book focuses on M. Butor's collaborations with other artists, including P. Alechinsky, M. Qotbi and J. Kolar. The book by Qotbi and Butor, "Espace Arabesque," held by the Sackner Archive, is reproduced in this catalogue. Also, there is a tipped-in color photograph on the title page depicting Qotbi and Butor in front of the wall upon which the book is hung. -- Source of annotation: Marvin or Ruth Sackner.

Ruth and Marvin Sackner are mentioned as being collectors of Qotbi's works. -- Source of annotation: Marvin or Ruth Sackner.