The poem makes references to Schoemberg's music. -- Source of annotation: Marvin or Ruth Sackner.

This letter is not addressed or stamped but is likely to John Sharkey. Houedard writes, "had 1/2 hr to wait for busload so put in enc typestracts (named so by yeddi) now bus come ciao) -- Source of annotation: Marvin or Ruth Sackner.

This letter is addressed to John Sharkey in which Houedard mentions well known poets of the '60s. -- Source of annotation: Marvin or Ruth Sackner.

This is a letter to John Sharkey. the letter is typed on a borrowed typewriter in blue ink. The text deals with suggestions of where the Sahrkey shildren shoud live since Wendy has left John. -- Source of annotation: Marvin or Ruth Sackner.

This piece is the photographic negative of Sharkey's I's on White. -- Source of annotation: Marvin or Ruth Sackner.

This piece contains two blocks of over-typing of I's on a field of single I's. It also is damaged with two holes within the text. -- Source of annotation: Marvin or Ruth Sackner.

Five lines made with dashes cross over a dense block of typed capital letters. -- Source of annotation: Marvin or Ruth Sackner.

Writes about transcription of sound poetry piece, "Chamber Music" (1966) to tape. -- Source of annotation: Marvin or Ruth Sackner.

David Harris aka David UU. Letter discusses sending sound performance tapes for festival. Cobbing states that he "must try to keep better contact between what we are doing and your good selves." -- Source of annotation: Marvin or Ruth Sackner.