Deals with the "mechanics" and results of collaboration between poets and writers through essays contributed by the participants. -- Source of annotation: Marvin or Ruth Sackner.

This booklet was written for a workshop in a grade school class and is a second edition of the book. -- Source of annotation: Marvin or Ruth Sackner.

Also designated two-bitter #56. Comprises an anthology dealing with poetic works written by lefler from 1974-1994. -- Source of annotation: Marvin or Ruth Sackner.

This anthology Includes reprints of a selection of curry's publishing activities focusing on his rubberstampings of minimalistic and concrete poems of his own and his circle of poets. Dean comments: this making precious of the single poem was the result of necessity as much as esthetic deliberation; curry published within a finite small budget. This could have caused poor-quality production, i.e. Gestetner, offset or xerox. Instead it resulted in hand-stamp, hand-set rubber type, as his chosen (& unique) means of publication. His scaled down book remained both anarchic and typographically refined. -- Source of annotation: Marvin or Ruth Sackner.

Most of the material in this book has been published in small press periodicals; a number of pieces have been reworked. This book is designated Outlands four. Includes three pages in homage to the wisdom of d.a. levy and 3 pages reprinted from "twenty bottoms," curry's pornographic book. -- Source of annotation: Marvin or Ruth Sackner.

Commissioned for "The Beauty In Breathing Exhibition." A human silhouette painted on a panel silently points out a chest x-ray to another figure to emphasize the physiologic importance of breathing. Behind the door, a telephone is placed adjacent to a network of printed and handwritten, torn and fragmented texts appearing as a gigantic speech bubble (reminescent of a cartoon) to suggest babble, dependent on breathing, eminating from many telephone communications. The contrast is a metaphor for the title of this work. Five of the images show the current istallation as doors leading to one of the Sackners bathrooms, the sixth shows the original free standing installation. -- Source of annotation: Marvin or Ruth Sackner.

This performance manuscript apparently has never been published. -- Source of annotation: Marvin or Ruth Sackner.