Warhol, Andy, 1928-1987
Person
Dates
- Existence: 19280806 - 19870222
Found in 3 Collections and/or Records:
A, 1968
Item
Identifier: CC-46993-49731
Scope and Contents
This book is a first edition; it was reprinted in 1998. Wikepedia: The book is a roman a clef, meaning that the fictional characters are thinly-disguised actual persons. a, A Novel is a 1968 book by the American artist Andy Warhol (1928--1987) published by Grove Press. It is a nearly word-for-word transcription of tapes recorded by Warhol and Ondine (Robert Olivo, a Warhol superstar) over a two-year period in 1965-1967. a, A Novel, Warhol's knowing response to James Joyce's Ulysses, was intended as an uninterrupted twenty-four hours in the life of Ondine, an actor who was famous mostly as a Factory fixture, Warhol film Superstar and devoted amphetamine user.[1] A taped conversation between Warhol and Ondine, the book was actually recorded over a few separate days, during a two-year period. The book is a verbatim printing of the typed manuscripts and contains every typo, abbreviation and inconsistency that the typists produced from the twenty-four tapes (each chapter is named for...
Dates:
1968
I'll Be Your Mirror: The Selected Andy Warhol Interviews, 2004
Item
Identifier: CC-48480-69509
Subduing Demons in America: Selected Poems 1962-2007, 2008
Item
Identifier: CC-49491-70537
Scope and Contents
Marcus Boon, who edited this book writes, Giorno's late-1960s poems see him expanding the use of found materials, including pornographic and countercultural texts, as well as the use of repetition. Indeed, poems like "Capsule," "Give It to Me, Baby," and "Johnny Guitar" are among the most rock 'n' roll poems ever written, every bit as psychedelic and confrontational as The Stooges or Jefferson Airplane, and probably just as much the product of a wide-ranging armory of pharmaceuticals, which, as Giorno has repeatedly insisted, have the potential to open and expand the mind and bring bliss. Balling Buddha, a multicolor confection printed on pages in the six colors of the rainbow, rather than traditional black on white, introduced Giorno's signature split lines running down the center of each page-as a way of both reproducing the multitracking used in his sound poems and perturbing the linear flow of text on the page. Giorno observes that the split line "breaks the lineal flow....
Dates:
2008
