The left side of the drawing consists of handwritten instructions for "Attitudes & Positions for Almeida Shoot." The right side continues the dialogue of production schedule and work on the film. Phillips mentions that "Hansjorg Mayer picks up Dante proofs for publication." A drawing of an Egyptian amulet with colored pictograms is placed on the bottom center of the page. To the left of this image, Phillips writes the interpretation of the pictograms. -- Source of annotation: Marvin or Ruth Sackner.

Bernard McTigue describes Bookworks in London and its first illustrated catalog. -- Source of annotation: Marvin or Ruth Sackner.

Contains essays surveying schools of digital media education. Matthew Kirschenbaum contributes an essay on the William Blake digital archive at the University of Virginia. -- Source of annotation: Marvin or Ruth Sackner.

Isaac Gewitz curated this exhibition and wrote this exceptionally good catalogue. -- Source of annotation: Marvin or Ruth Sackner.

In the manuscript, there are 30 ink jet colored prints, some of which have been modified from the drawings also included in this work. Page 30 has the hebrew word for God framed by Russian text. In a note to the Sackners, Fedulov provided the following annotations in terms of the origins of the images and texts: page 13: A. Scriabine's "Prometheus;" page 19: Picasso's "Guernica;" page 23: M. Nesterov's "The Apparition to Bartholomew the Adolescent;" page 33: fragment of the illustration by A. Agin to the novel "Dead Souls"by Gogol; page 37: text from William Blake's "The Tyger" and "The Marriage of Heaven and Hell;" page 47: poster "Help!" by D.Moor; page 49" Michelangelo's "Creation of Adam;" page 53: caricature by A.Venetsianov in 1812; page 55: Giorgone's "Three Philosophers." Pages 37 and 43 are matted separately and stored in drawer second bedroom. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue coincided with the important Blake exhibition at the Tate Modern Gallery in London. The Sackners saw that exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The theme is visionary art, space-time and virtual reality. Includes a brief biography of the participating artists. -- Source of annotation: Marvin or Ruth Sackner.

This poem is printed in Hirschman's book, "Black Alephs," in linear format. Here it is printed in two columns on a gray background of a William Blake Christian religious scene and overlaid with mandulas of a Kabbalistic Hebrew text written by Abraham Abulafia in the 13th century. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.