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Hincks, Gary

 Person

Found in 189 Collections and/or Records:

Abraham a Santa Clara / Finlay, Ian Hamilton; Hincks, Gary., 1991

 Item
Identifier: CC-12999-13291
Scope and Contents

The illustration by Hincks depicts a reaper blade that evolves to a thunderbolt over three images. It has a related caption regarding the French revolution. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Aeronaut Schwerer Kreuzer "Prinz Eugen" / Finlay, Ian Hamilton; Hincks, Gary., 1995

 Item
Identifier: CC-12988-13280
Scope and Contents

The image and caption on this card deal with the sinking of a wooden model in 1994 of the Nazi warship "Prince Eugen." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

After Bernini / Finlay, Ian Hamilton; Hincks, Gary., 1987

 Item
Identifier: CC-12367-12593
Scope and Contents

This print depicts a confident Apollo,a metaphor for the French revolutionary leaders, and a frightened Daphne, a symbol of the beginning Republic as indicated by her wrappings of the French Tricolor flag. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

After John Flaxman R.A. / Finlay, Ian Hamilton; Hincks, Gary., 1993

 Item
Identifier: CC-11044-11259
Scope and Contents

Christmas card from Finlay. John Flaxman (1755-1826) was a British-born Swedenborgian sculptor, painter, designer and illustrator. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

After John Flaxman R.A. / Finlay, Ian Hamilton; Hincks, Gary., 1980

 Item
Identifier: CC-12062-12286
Scope and Contents

Depicts a landscape image from a Greek classic but the caption deals with an allied air raid in progress. John Flaxman (1755-1826) was a British-born Swedenborgian sculptor, painter, designer and illustrator. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

After Thomas Hearne / Finlay, Ian Hamilton; Hincks, Gary., 1977

 Item
Identifier: CC-12028-12251
Scope and Contents The card consists of two similar images that depict a Palladian inspired house at a distance from a tree lined foreground. The captions of one image is "Palladian" referring to the house and of the other "Picturesque" to the more complex landscape. Wikipedia 2011: Thomas Hearne (1744 "“ 13 April 1817) was an English landscape painter, engraver and illustrator. Hearne was born at Brinkworth near Malmesbury in Wiltshire. He came in his teens to London, and had to work as a pastry cook, but in 1763 was awarded a premium by the Society of Arts. In 1765 he was apprenticed to Liam Woollett, the engraver, with whom he stayed for six years. In 1771 he travelled to the Leeward Islands with the newly-appointed Governor-General, Sir Ralph Payne. He remained there for three-and-a-half years, making drawings of the characteristic features of the islands. This work also employed him for two years after his return to London in 1775, and turned the direction of his art from engraving to...
Dates: 1977

An Obstreperous Companion / Finlay, Ian Hamilton; Hincks, Gary., 1997

 Item
Identifier: CC-35285-37019
Scope and Contents

The image on the cover is Roseby Willow-Herb that is also the poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

And Evening / Finlay, Ian Hamilton; Hincks, Gary., 1997

 Item
Identifier: CC-35289-37023
Scope and Contents

The image on the cover depicts a flotilla of sail boats. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Apollinaire: A Variation / Finlay, Ian Hamilton; Hincks, Gary., 1997

 Item
Identifier: CC-35371-37105
Scope and Contents

This poem, based on "Il Pleut" by Apollinaire, has drawings of little leaves instead of the letters. This symbolizes the falling of leaves in the fall rather than rain as in the original poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Apollinaire: A Variation / Finlay, Ian Hamilton; Hincks, Gary; Apollinaire G., 1997

 Item
Identifier: CC-28817-30135
Scope and Contents

This poem, based on "Il Pleut" by Apollinaire, has drawings of little leaves instead of the letters. This symbolizes the falling of leaves in the fall rather than rain as in the original poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Apollo and Daphne and Laurus / Finlay, Ian Hamilton; Hincks, Gary., 1992

 Item — Folder 35: [Barcode: 31858072459948]
Identifier: CC-12371-12597
Scope and Contents

These three prints depict the individual figures in the print Apollo and Daphne: Design for a Wall, 1992. Apollo is depicted in a red symbolizing strength whereas Daphne is printed in camouflaged green indicating uncertainty of pastoral serenity. Laurus depicts a silhouette of a green tree. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Apollo and Daphne: Design for a Wall (1) / Finlay, Ian Hamilton; Costley, Ron; Hincks, Gary., 1992

 Item
Identifier: CC-12375-12601
Scope and Contents

In this version of the print the figures of Apollo in red and Daphne in green are combined into a green tree. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Apollo and Daphne: Design for a Wall (2) / Finlay, Ian Hamilton; Costley, Ron; Hincks, Gary., 1992

 Item
Identifier: CC-58404-10001621
Scope and Contents

In this version of the print the figures of Apollo and Daphne are outlined in black and are combined into an outlined tree all against the image of a drawn black brick wall. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Arrosoir: A Regeneration / Finlay, Ian Hamilton; Hincks, Gary., 1984

 Item
Identifier: CC-12110-12334
Scope and Contents

Arrosoir means watering-can, a still-life depicted on this card. The caption under this image states, "The Robespierrists were guillotined on Arrosoir, Watering-can, in Thermidor, Month of Heat (Republican Calendar, 1792-1806). Baveuf described Robespierre as 'the genius in whom resided truly regenerative ideas...' The loose sheet enclosed with this card rales against the Strathclyde tax collectors for seizure of Finlay's property from the Temple. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Arrosoir / Finlay, Ian Hamilton; Hincks, Gary., 1984

 Item
Identifier: CC-56034-9999486
Scope and Contents

Arrosoir means watering-can, a still-life depicted on this card. The caption under this image states, "The Robespierrists were guillotined on Arrosoir, Watering-can, in Thermidor, Month of Heat (Republican Calendar, 1792-1806). Baveuf described Robespierre as 'the genius in whom resided truly regenerative ideas...' The image of the watering can is depicted with a black ribbon. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Bal des Victimes / Finlay, Ian Hamilton; Hincks, Gary., 1989

 Item
Identifier: CC-10976-11188
Scope and Contents

The print depicts a combination of red and black typewriter ribbons unspooled from two spools. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Battle of Britain Day September 15 / Finlay, Ian Hamilton; Hincks, Gary., 1994

 Item
Identifier: CC-12598-12830
Scope and Contents

This depicts the sky with white clouds and trails of white smoke from fighter planes' exhausts. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Battle of the Flowers / Finlay, Ian Hamilton; Hincks, Gary., 1998

 Item
Identifier: CC-35443-37179
Scope and Contents

The title and line drawn image of a ship on the front of this card refer to the British naval corvette ships of the Flower class. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Betula Pendula 2 / Finlay, Ian Hamilton; Hincks, Gary., 1978

 Item
Identifier: CC-12032-12255
Scope and Contents

This depicts an armored tank among Silver Birch trees. It contrasts with the first version in that the first had tree leaves immeshed in the netting over the tank. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Additional filters:

Subject
Picture poetry 170
Political poetry 51
Documentation 10
Minimalist poetry 10
Architecture 9