Auction catalogue. The Sackners purchased Rauschenberg's artist book, Opal Gospel, at this auction. -- Source of annotation: Marvin or Ruth Sackner.

The cover of the leaflet is printed on blue paper, the unbound page on rose colored paper. This references Picasso's Blue and Rose periods of painting around the turn of the century. The poem is taken from the French revolutionary J.L. David's Instructions for the Festival of the Supreme Being, 1794 in which he describes his vision, ...Mothers will hold bouquets of roses in their hands, and girls will carry baskets filled with flowers. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

In the manuscript, there are 30 ink jet colored prints, some of which have been modified from the drawings also included in this work. Page 30 has the hebrew word for God framed by Russian text. In a note to the Sackners, Fedulov provided the following annotations in terms of the origins of the images and texts: page 13: A. Scriabine's "Prometheus;" page 19: Picasso's "Guernica;" page 23: M. Nesterov's "The Apparition to Bartholomew the Adolescent;" page 33: fragment of the illustration by A. Agin to the novel "Dead Souls"by Gogol; page 37: text from William Blake's "The Tyger" and "The Marriage of Heaven and Hell;" page 47: poster "Help!" by D.Moor; page 49" Michelangelo's "Creation of Adam;" page 53: caricature by A.Venetsianov in 1812; page 55: Giorgone's "Three Philosophers." Pages 37 and 43 are matted separately and stored in drawer second bedroom. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Burr Wallen and Donna Stein. F.Leger and B.Cendrars' La Fin du Monde, held by the Sackner Archive, is depicted in the catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This book is also Flue Volume 4 No.1-2. -- Source of annotation: Marvin or Ruth Sackner.

The cover of this catalogue has a reproduction of Marcoussis's portrait of Apollinaire. -- Source of annotation: Marvin or Ruth Sackner.

Works in the exhibition which are held by the Sackner Archive included "Rekord Niezhnosti" (Record of Tenderness), "Ostraf Paskhi" (Easter Eyeland), Ledantyu Faram ("Ledentu as a Beacon"), "Poesie de Mots Inconnu," "Maximiliana," "Courtisan Grotesque," the poster "L'Eloge d'Ilia Zdanevitch surnomme l'ange." Prior to 1920, Iliazd was known as Ilia Zdanevitch. -- Source of annotation: Marvin or Ruth Sackner.

Reprints of book first published in 1948. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts Senghor's books illustrated by various artists. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

William Jeffett contributed a lenghy, enlightening essay entitled "Avant-Garde and Moderization" to this catalogue. Marvin Sackner was a co-speaker with Jeffett at the symposium held in conjunction with the exhibition," Tour de France/Florida" at the Frost Museum in January 2012 and Jeffetts donated this catalogue to the Sackner Archive. Of note is a photograph of Joan Rabascall's sculpture "Monument to Televison (1992) on page 80 of the essay. The Sackners agreed to lend this sculpture to the exhiibition but their professional art movers deemed it too fragile to travel. -- Source of annotation: Marvin or Ruth Sackner.

The Sackners contributed three works in this exhibition to the Lowe Art Museum by Paul Berger, Gordon Matta-Clark and Luigi Veronesi. -- Source of annotation: Marvin or Ruth Sackner.