Scope and Contents This exhibition was curated by Lynn Zelevansky and was shown at the Los Angeles County Art Museum in which books were lent by the Getty. The same books were lent by the Sackner Archive to the MIami Art Museum when it traveled there. Peter Frank contributed as essay entitled, "geometric literature: From Concrete Poetry to Artists' Books." Amazon Review: In the decades following World War II artists in Europe, North America, and South America began experimenting with geometric forms. Rebelling equally against the mathematical purity of earlier geometric modernism and what many saw as the emotional excesses of abstract expressionism and Art Informel, these artists emphasized three-dimensionality, the repetition of modular elements, the conceptual underpinnings of art, and the performative to engage the viewer in the creative process and achieve broader intellectual, sensual, and emotive range in their work. Beyond Geometry, which accompanies an exhibition at the Los Angeles County...

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This catalogue is a second and augmented edition of the book first published in 1997. -- Source of annotation: Marvin or Ruth Sackner.

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The booklets of "It Is Almost That" edition are collected in one latched, wooden box, organized alphabetically by artist surname.

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The editor of this boxed series is Lisa Pearson. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This book was published on the occasion of the exhibition organized by the Santa Monica Museum of Art. The Sackners are mentioned in the chapter on Jack Hirschman stating that "his visual work has been extemsively collected by the Marvin and Ruth Archive of Concrete and Visual Poetry in Miami Beach." Michael Duncan describes Wallace Berman as "a key under-recognized artist of his generation...an enigmatic, underground figure whose colllages and assemblages articulate an important strand of dark spirituality in postwar American culture." Descriptions and illustrated works and a biography of each member of the circle contribute an important body of work to the understanding of this group. the book also includes an in depth analysis of Semina, Wallace's journal that is "a fragmentary guidebook to alternative modes of thinking, living, and art making...based on a romantic embrace of mysticism, individualism, and domesticity." The catalogue also includes an illustrated chronology from...

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This exhibition dealt with mostly conceptual art and text. The introductory essay was written by the curator, Jessica Jacobs. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition was curated by Isabella Puliafito. It demonstrated the language in art, for the most part conceptual works, of the 1970's. -- Source of annotation: Marvin or Ruth Sackner.