This volume was realized for the inauguration of Isgro's "The Bees if the Torah" and a concert by Moni Ovadia for the re-opening of the Belforte Bookshop in Livorno after 63 years of closure as a result of the wartime regime. The press has resumed publishing Hebrew texts under the name of Belforte which was first started in 1805. The first part of the book is an illustrated time line of Italian political and cultural history in the world, in Italy and in Livorno and the relationship of the Belforte press to these events. The second part of the book illuminates the work of Emilio Isgro who represents the "Jews as bees that extract the honey from the Book and carry it to the various groups that they encounter in their journeys." isgro is interviewd in depth by Silvia Guastalla. -- Source of annotation: Marvin or Ruth Sackner.

Tiziano Santi contributed an essay "Between Word and Image" which traces the history of visual and concrete poetry through Dada, Futurism, calligrams, Cubism, Fluxus happenings and the contemporary Italian poets. Manfredo Massironi's essay describes the beginnings of classical calligraphy in Europe and the Middle East. This book also served as a caalogue for the Belle Lettre Award winners. The works were grouped into the following categories: traditional calligraphy, expressive calligraphy, words and images, words and abstract for, the word as image, and conceptual works. There are several reproductions of pages by Brody Neuenschwander for "The Pillow Book" by Peter Greenaway. Brody Neuenschwander was awarded the first prize Belle Lettere Award for "the Book of Silence;" Canto Five of Dante's Inferno by Ingmire is described in a separate chapter. -- Source of annotation: Marvin or Ruth Sackner.

This book is subtitled "Hanukah lamps: a collection of history, art and design." -- Source of annotation: Marvin or Ruth Sackner.

This card also served as an exhibition announcement. Stored with Tool Publications. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts reproductions of magazine covers of popular and obscure Italian periodicals by graphic designers and visual poets. -- Source of annotation: Marvin or Ruth Sackner.

Mention is made that the Sackner Archive holds works by Fedi. -- Source of annotation: Marvin or Ruth Sackner.

This was an international festival of contemporary poetry, performance, music, dance, theatre, video and multimedia held in Venice, Italy. The duplicate cards are of Joel Hubaut in a red performance outfit and background. The pamphlet is the schedule of planned events. -- Source of annotation: Marvin or Ruth Sackner.

The folded pamphlet includes an introductory essay by Pierre Restany and a manifesto by Isgro. The religious text in the books is cancelled with wide, black markings, so that no words, or very few words, remain visible on the page. The cancellations are typical of Isgro's visual poetic style. The four volumes are titled 1 to 4 Puntata. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue mainly lists artists' books of the 1960's and 1970's. -- Source of annotation: Marvin or Ruth Sackner.

The analysis of Miles poetic works was written by Luigi Tola. Several poets and critics wrote testimonals at the end of this book, some reproduced in facsimile. -- Source of annotation: Marvin or Ruth Sackner.

Isgro gave this book to Marvin Sackner at a party hosted by Mauro and Laura Corinaldi in Milan, September 2002. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive is listed under Archives and Centers of Documentation holding Gini's works. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive is listed under Archives and Centers of Documentation holding Gini's works. -- Source of annotation: Marvin or Ruth Sackner.