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Satie, Erik, 1866-1925

 Person

Dates

  • Existence: 1866-05-17 - 1925-07-01

Found in 13 Collections and/or Records:

[Interview with Pierre Restany] / Hubaut, Joel ; Brian Holmes, translator ; Satie E ; Cage J., 1996

 Item
Identifier: CC-09899-10096
Scope and Contents

Consists of a critical introduction of Hubaut's work by Restany followed by an interview of Hubaut which was the subject of a conference held March 28, 1994 at l'l.U.F.M. di Calvados. Restany begins his remarks, "...Joel Hubaut, for he is among the protagonists of the third generation of the postwar period, someone who, precisely, has also identified his work with life. Life, for Joel Hubaut is above all a linguistic phenomenon... Language is like life, it has highs and lows..." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

John Cage: An Anthology edited by Richard Kostelanetz / Cage, John ; Satie E ; Hansen A ; Higgins D ; Sumsion C ; Duchamp M ; McLuhan M ; Corner P., 1991

 Item
Identifier: CC-07818-7971
Scope and Contents

This is a reprint of a book first published in 1970, supplemented with a new chronology and catalogues. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

La Couleur des Mots dans le Corps du Livre / Sergent, Jean-Jacques, editor ; Apollinaire G ; Michaux H ; Mutel D ; Satie E ; DaRos F ; Righi F ; Guillevic E ; Jabes E ; Noel B ; Prevert J., 1997

 Item
Identifier: CC-33906-35578
Scope and Contents

This exhibition is a tribute to the fine typographic press of Jean-Jacques Sergent. Didier Mutel has contributed 15 aquatints to " Amok" by Stefan Zweig. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Notations / Cage, John, editor ; Fernbach-Flarscheim C ; Filliou R ; Friedman K ; Hansen A ; Higgins D ; Johnson R ; Kaprow A ; Knizak M ; Knowles A ; MacLow J ; Ono Y ; Roth D ; Rothenberg J ; Ruhm G ; Satie E ; Schneemann C ; Williams E ; Young L., 1969

 Item
Identifier: CC-17214-17572
Scope and Contents

This book illustrates a collection of 255 music manuscripts whose selection by Cage was determined by circumstances. The text was the result of I-Ching chance operations which determined how many words were to be written by or about the 269 composers. Not only the number of words and the author, but the typography too - letter size, intensity and typeface - were all determined by chance operations. Alison Knowles served as co-editor and also designed the book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Notations / Cage, John, editor ; Fernbach-Flarscheim C ; Filliou R ; Friedman K ; Hansen A ; Higgins D ; Johnson R ; Kaprow A ; Knizak M ; Knowles A ; MacLow J ; Ono Y ; Roth D ; Rothenberg J ; Ruhm G ; Satie E ; Schneemann C ; Williams E ; Young L ; Andriessen H ; Andriessen L ; Ahhalt I ; Antoniou T ; Filiou R ; Ashley R ; Austin L ; Ay-O ; Babbitt M ; Gaburo K ; Bayle F ; Bedford D ; Behrman D ; Berio L ; Neuhaus M ; Bloch S ; Bodin LG ; Boulez P ; Bowles P ; Brecht G ; Brouwn S ; Brown E ; Brun H ; Bussotti S ; Byrd J ; Cacioppo G ; Cardew C ; Castiglione N ; Castillo G ; Chiari G ; Christiansen H ; Clementi A ; Colgrass M ; Conrad A ; Corner P ; Cowell HD ; Cross L ; Crumb G ; DeLeeuw T ; DePablo L ; Donatoni F ; Drew J ; Echarte P ; Ehrlich T ; Evangelisti F ; Feldman M ; Fine AM ; Haubenstock-Ramati R ; Gandini G ; Ginastera A ; Gladdys A ; Glanville-Hicks P ; Glick J ; Goldstein M ; Halffter C ; Hendricks B ; Hendricks G ; Hidalgo J ; Hiller La ; Hunt J ; Dufrene F ; Jones J ; Kagel M ; Kasemets U ; Kelemen M ; Klintberg B ; Komorous R ; Koepcke A ; Kosugi T ; Kotik P ; Krumm P ; Lieberman F ; Ligeti G ; Llinos N ; Logothetis A ; Lucier A ; Luening O ; Maginnis WJr ; Marchetti W ; Martirano S ; Mathews M ; Maxfield M ; Mestres-Quadreny JM ; Meyer-Denckman G ; Moran R ; Morthenson J ; Mumma G ; Nancarrow C ; Neuhaus M ; Oliveros P ; Otte H ; Paik NJ ; Simonetti GE ; Patterson B ; Pousseur H ; Reich S ; Watts R ; Riedl JA ; Riley T ; Rjewski F ; Rothenberg J ; Ruhm G ; Schaeffer P ; Schmit T ; Schnebel D ; Schneemann C ; Silva C ; Stegall SW ; Stockhausen K ; Tenney J ; Ten-Holt S ; Vostell W ; Tosco VFH ; Tudor D ; Goldstein M ; Vagvione H ; Varese E ; Williams E ; Wolff C ; Xenakis Y., 1969

 Item
Identifier: CC-17213-17571
Scope and Contents

This book illustrates a collection of 255 music manuscripts whose selection by Cage was determined by circumstances. The text was the result of I-Ching chance operations which determined how many words were to be written by or about the 269 composers. Not only the number of words and the author, but the typography too - letter size, intensity and typeface - were all determined by chance operations. Alison Knowles served as co-editor and also designed the book. The book is missing the dust jacket. it is complementary to another book held by the Sackner Archive of experimental music scores, "Spartito Preso" (1980) that emphasizes Italian composers. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Recoins de Ma Vie / Satie, Erik., 1987

 Item
Identifier: CC-33915-35587
Scope and Contents

The typographic design is reminiscent of the lettering by Iliazd. The engravings that feature Satie's derby hat were made by Francois Righi. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Silence / Cage, John ; Satie E., 1973

 Item
Identifier: CC-16643-16997
Scope and Contents

This the 4th printing of the book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973