Stored with Karl Kempton material. Polkinhorn provided a critical analysis of Kempton's poetry and philosophy. Ruth Showalter and De Villo Sloan, the Editors, conducted an interview of Kempton. -- Source of annotation: Marvin or Ruth Sackner.

This issue was edited by Harry Polkinhorn. It is a survey of Beining's work beginning with a critical essay by Polkinhorn, an interview of Beining, stoma poems of Beining, photocopied visual and visual poetic collages, and photocopied reproducions of concrete and typewriter poems. -- Source of annotation: Marvin or Ruth Sackner.

Includes essays by Cesar Espinosa and Emily Hicks, and statements by Vincenzo Accame, Pierre Garnier and Max Bense. -- Source of annotation: Marvin or Ruth Sackner.

This copy has a unique, recycled hard cover binding. -- Source of annotation: Marvin or Ruth Sackner.

This is a digital version of the deluxe handcolored edition of the book published in 1986 (the Sackner Archive does not hold a copy of this version). -- Source of annotation: Marvin or Ruth Sackner.

This book was initially published by Ediciones Literarias de Factor, Mexico in 1987 and is a survey of Latin American Concrete and Visual Poetry. -- Source of annotation: Marvin or Ruth Sackner.

Includes acknowledgement of financial support given to exhibition by The Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Polkinhorn's story revolves around his romance with a Cuban-American woman. The book is written in a stream of consciousness as a literary collage without punctuation. Karl Young provides an introduction. -- Source of annotation: Marvin or Ruth Sackner.

Polkinhorn provides an English translation of Menezes' "Poetica e Visualidad," that was first published in 1991. The latter is held by the Sackner Archive. Menezes provides a critical review of Brazilian concrete poetry and its evolution, e.g., visual poetry, semiotic poetry, poema-processo, photomontage poetry, etc. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Harry Polkinhorn who also wrote an introductory essay. He mentions that this exhibition is the next step in the evolution of the "Il International Biennial of Visual and Alternative Poetry 1987-1988" recently mounted in Mexico. -- Source of annotation: Marvin or Ruth Sackner.

The Emblem poem of the 16th and 17th century consisted of motto, image and verse. In the classification system utilized by the Sackner Archive, emblem poems are designated Picture Poems and consist of title (motto), image and verse on the same page, i.e., a single poem which if presented as facing pages collection of poems and poetry in a book would be designated an Illustrated Book. Examples of contemporary picture poems are those composed by Kenneth Patchen. -- Source of annotation: Marvin or Ruth Sackner.