The card is an invitation to the opening reception. This exhibition announcement was designed by Eileen Boxer. -- Source of annotation: Marvin or Ruth Sackner.

The sheer nyon stocking is wrapped around the card. It is printed on the top P. Molinier ubu. This invitation was designed by Eileen Boxer. -- Source of annotation: Marvin or Ruth Sackner.

The announcement card, designed by Eileen Boxer, is meant to be ripped open at the printed arrow revealing the exhibition information and an illustration of a Villegle work. After being ripped, the invitation itself turns into a New Realism work of art. -- Source of annotation: Marvin or Ruth Sackner.

The announcement card, designed by Eileen Boxer, is meant be ripped open at the printed arrow revealing the exhibition information and an illustration of a Villegle work. After being ripped, the invitation itself turns into a New Realism work of art. These two copies are unripped. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition announcement is in the form of an artist's palette with eight cut out geometric forms. It was designed by Eileen Boxer. -- Source of annotation: Marvin or Ruth Sackner.

The gallery announcement is collaged with a doll's arm that might be missing from the photograph of a poupee on the verso. The card was designed by Eileen Boxer. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition announcement designed by Eileen Boxer is a photograph of a chalk board with the exhibition specifications printed on it. -- Source of annotation: Marvin or Ruth Sackner.

The license plate that reads "vers ions and Richard Tipping 99" was designed by Eileen Boxer. The gallery also sent 12 installation, colored photographs of the exhibition along with the check list that is stored in the box with this item. -- Source of annotation: Marvin or Ruth Sackner.

The invitation is printed on yellow paper and crumpled into the box. The designer is Eileen Boxer. -- Source of annotation: Marvin or Ruth Sackner.

The paintings are tributes to contemporary rock musical legends. -- Source of annotation: Marvin or Ruth Sackner.

Yoko One contributed an introductory essay. Mark Allen's insightful text describes Havadtoy's method of writing and re-writing personal thoughts that are "entombed under a hearty layer of paint. Words: gone. Emotional attachment: frozen. The canvas is then wrapped in a layer of lace and more paint until it hardens into a scabrous, protective shell." -- Source of annotation: Marvin or Ruth Sackner.

Yoko One contributed an introductory essay. Mark Allen's insightful text describes Havadtoy's method of writing and re-writing personal thoughts that are "entombed under a hearty layer of paint. Words: gone. Emotional attachment: frozen. The canvas is then wrapped in a layer of lace and more paint until it hardens into a scabrous, protective shell." -- Source of annotation: Marvin or Ruth Sackner.

This issue purchased in Dublin depicts a cover image of a female nude; the cover of an issue featured on Amazon.com depicts an African animal scene. -- Source of annotation: Marvin or Ruth Sackner.

Contains note from David Dellafiora to Pat Collins. -- Source of annotation: Marvin or Ruth Sackner.