The text was composed by Bory and the prints by Fischer. -- Source of annotation: Marvin or Ruth Sackner.

Curated by Edouard and Jean-Jacques Lebel, the artworks are based on the famous images of Duchamp. -- Source of annotation: Marvin or Ruth Sackner.

Note that "Tonto or" No.7 pamphlet that was included in this collection is stored in a portfolio box with other issues of "Tonto or." This collection also includes two Standing Poems by Ian Hamilton Finlay and Opening Numbers 2 & 4 edited by John Furnival. -- Source of annotation: Marvin or Ruth Sackner.

A large letter 'S,' flanked by two vertical 'I's' to the right, are formed by typewitten generated words. All words in the 'S' begin with the letter 's,' whereas the words in the two 'i' columns, which should begin with the letter 'i,' lack this letter. It is up to the reader to utilize the letter 'i' when reading the text in these columns. The words appear to be randomly chosen as in automatic writing but have political overtones. -- Source of annotation: Marvin or Ruth Sackner.

Includes folded posters, Jochen Gerz, Blatt-Nr.1: Untitled and Julien Blaine, Blatt-Nr.4. The poster by Gerz is included in Agentzia 2 but is catalogued separately. -- Source of annotation: Marvin or Ruth Sackner.

Typewriter poems are printed on two of the translucent paper pages. -- Source of annotation: Marvin or Ruth Sackner.

This issue documents events of the May 1968 revolution in Paris through reproductions of newspaper clippings and photographs. The envelope is designed in the form of a record jacket. -- Source of annotation: Marvin or Ruth Sackner.

Manuel de Seabra provides a brief classification list for this book: performance poetry, concrete poetry, sound poetry, mechanical poetry, and visual poetry. A section of this book deals with Coca Cola visual poems. -- Source of annotation: Marvin or Ruth Sackner.

Pierre Garnier contributed an essay on Spatialism, a designation for his own style of concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Contains entire text of Gerz's book "Footings." -- Source of annotation: Marvin or Ruth Sackner.

The inserted pamphlet, an artist book, by Julien Blaine is entitled, "Dernier Tentative De L'Individu." The division of this issue into large sections by the contributors is the layout used by Blaine in a successor magazine, Doc(k)s. -- Source of annotation: Marvin or Ruth Sackner.

In the title, Bory indicates his debt to the calligrams of Apollinaire. This archive includes preliminary drawings and collages for the book with the same title as well as corrected galleys. -- Source of annotation: Marvin or Ruth Sackner.

The linear, black printed text is laid out with mixed typefaces and sizes. The maquette is a sketch book with chaotically arranged handwritten text that employs several colored inks and calligraphic styles. The manuscript appears to have made with a combination of photocopying and colored letraset type. -- Source of annotation: Marvin or Ruth Sackner.

Includes a photocopy of Mallarme's Un Coup de Des (1914), -- Source of annotation: Marvin or Ruth Sackner.