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Burroughs, William S., 1914-1997

 Person

Dates

  • Existence: 1914-1997-08-11- - 1997

Found in 2 Collections and/or Records:

Tuning in to the Multimedia Age edited by Jose Ferez Kuri / Gysin, Brion ; Burroughs WS ; Corso G ; Brett G ; Heidsieck B ; Zurbrugg N ; Giorno J ; Artaud A ; Barthes R ; Beckett S ; Bowles J ; Bowles P ; Breton A ; Chopin H ; Corso G ; Dufrene F ; Eluard P ; Ernst M ; Ferlinghetti L ; Filiou R ; Ginsberg A ; Hanson S ; Higgins D ; Janicot F ; Knowles A ; Maciunas G ; Patchen K ; Stein G ; Tzara T ; Williams E ; Miles B., 2003

 Item
Identifier: CC-43917-46026
Scope and Contents Brion Gysin (1916-1986) was a multifaceted artist whose fertile mind and wide range of original ideas were a source of inspiration for artists of the Beat Generation in Paris, as well as to innovative artists and performers such as David Bowie, Mick Jagger, Keith Haring, and Laurie Anderson in the next generation. Painter, writer, sound poet, tape composer, lyricist, and performance artist, Gysin is remembered particularly for his evocative paintings of the North African desert in the 1950s and his original calligraphic abstractions based on Japanese and Arabic scripts. The chance discovery by Gysin of the cut-up technique (later developed and refined by William S. Burroughs) and the concept of permutated poems gave rise to new and original forms of sound art wordplay, striking not only in print but also in recordings or live performance. Gysin's inventive ideas also extended to the Dreamachine and to collages of text and photographs. This is the first comprehensive publication on...
Dates: 2003