Scope and Contents

Published on the occasion of the exhibition "Alchimia della Scrittura" at the Museo Diego Aragona Pignatelli, Naples. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Nine books and drawings held by the Sackner Archive are depicted and annotated as "Collezione privata, Miami Beach" in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Nine books and drawings held by the Sackner Archive are depicted and annotated as "Collezione privata, Miami Beach" in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This exhibition was curated by Claudio Parmiggiani. Several books held by the Sackner Archive at one time or another were displayed in this exhibition. These included among others, Cendrars & Delaunay's Transsiberian Railway, Apollinaire's colored copy of the Survage-Lugat catalogue (5/10); Lissitzky & Mayakovsky's For the Voice, Marinetti's Tin Book, Soffici's Bif&+18 (deluxe edition), Lissitzky's Two Squares, Belloli's Solo nel Sole, Mesens & Magritte's Poemes 1923 - 1958, and Depero's Depero Futurista. A page from Flavio Vegezio's "De re Militari," 1523 is reproduced; the typographic layout of using letters for battlefield positions is similar to Eliano De Nomi's book, "Ordini Militari" that is held by the Sackner Archive. The Futurist periodical, Vela Latina, is described on page 303. The content dwells more upon ancient shaped poetry and hermetics than contemporary concrete poetry. The book reproduces several examples of Hebrew religious poems and Kaballah. --...

Scope and Contents

This book consists of reproductions of woodcuts illustrating the fable along with a critical text by Caruso. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book consists of reproductions of woodcuts illustrating the fable along with a critical text by Caruso. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Exhibition was curated by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

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The text deals with historic aspects of artist books, concrete poetry, and visual poetry in Italy during the twentieth century with illustrations from the seveties and eighties. The collage is tipped-in to the page facing the title page. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

One page consists of a calligraphic visual poem by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This volume was realized for the inauguration of Isgro's "The Bees if the Torah" and a concert by Moni Ovadia for the re-opening of the Belforte Bookshop in Livorno after 63 years of closure as a result of the wartime regime. The press has resumed publishing Hebrew texts under the name of Belforte which was first started in 1805. The first part of the book is an illustrated time line of Italian political and cultural history in the world, in Italy and in Livorno and the relationship of the Belforte press to these events. The second part of the book illuminates the work of Emilio Isgro who represents the "Jews as bees that extract the honey from the Book and carry it to the various groups that they encounter in their journeys." isgro is interviewd in depth by Silvia Guastalla. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition dealing mainly with illustrated books was curated by Ralph Jentsch. The essay for this brochure was written by Riva Castleman. -- Source of annotation: Marvin or Ruth Sackner.