This catalogue provided listing of the works in the exhibition and 18 illustrations. -- Source of annotation: Marvin or Ruth Sackner.

The painted cover is by Piero Varroni who also collaborated with Luciano Caruso on the visual poem. This four page accordion visual poem consists of calligraphic text and markings by Caruso over a abstract brown and gold painting by Varroni. The collage elements consist of six small, torn white papers onto which Caruso has written text. The colophon indicates that one copy of this book was reserved for the National Central Library of Florence. -- Source of annotation: Marvin or Ruth Sackner.

Most of the pages depict two columns of cancelled texts by Della Casa. There is a single visual poem by Luciano Caruso and a conventional poem by Stelio Maria Martini in this booklet. This publication was edited by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

The comic strips in this book consist of a single panel taken from Chester Gould's "Dick Tracy" with written Italian dialogue. This publication was edited by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

The comic strips in this book consist of a single panel taken from Chester Gould's "Dick Tracy" with written Italian dialogue. This publication was edited by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

This publication was edited by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

This publication was edited by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

The works depicted in this booklet were part of an exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Several of Caruso's textural visual poems are reproduced in this booklet. This publication was edited by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

This book includes a lithograph accompanying a limited edition book probably about 500 copies. The illustrations are reproductions of written fragments of collages that have a name of an Italian poet written over the collaged fragments. These are portraits of the poets in visual poetic terms but are simpler in construction than Caruso's "Ritratto Degli Uomini Illustri" that is also held by the Sackner Archive. This book was published in September 2002 and Caruso died later tha year. -- Source of annotation: Marvin or Ruth Sackner.

In addition to the single pages with paint and writing, five sections of pages have been glued together permitting the artist to treat the sections with heavier paint applications. The original book was an entry journal. -- Source of annotation: Marvin or Ruth Sackner.

This negatives were made in response to Caruso's request for a forthcoming exhibition of his works in Florence. -- Source of annotation: Marvin or Ruth Sackner.

This artist proof copy from an unknown tirage of proofs, was published on the occasion of an exhibition by Caruso. The exhibition was entitled, "Luogo della Immagini del Segno Scrittura." The drawings all consist of three rectangular, vertical striped of white paint with a handwritten graphite caption at their bottoms. The poem printed on the folder was composed by Caruso in 1967. -- Source of annotation: Marvin or Ruth Sackner.

Printed on the cover of this book is a reproduction of an Isou sound poem, "Des Lendemans Qui Chantent..., La Guerre, 1947. -- Source of annotation: Marvin or Ruth Sackner.

This extensive exhibition of poesia visiva was curated by Nicola Micieli. Critical essays were provided by Eugenio Miccini and Lamberto Pignotti. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Nicola Micieli; Eugenio Miccini and Lamberto Pignotti contributed essays. -- Source of annotation: Marvin or Ruth Sackner.