Caruso created a CD with handwritten text, white paint, collaged paper additions and torn paper for this unique poem object. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition is a homage to the poet Giacomo Leopardi. The collage by Alessandro Benfenati depicts the profile of a young woman's head covered with calligraphic text of a poem by Leopardi. -- Source of annotation: Marvin or Ruth Sackner.

The name, Le Porte di Sibari, denotes a group of visual poets that were organized by Luciano Caruso in 1990. They are all included in this exhibition that was curated by Caruso. Together with SM Martini, he contributed critical essays to this catalogue published by Belforte Editore Libraio. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Edizioni N. 255. -- Source of annotation: Marvin or Ruth Sackner.

Each image consists of a loose caricature of a poet or friend whose name is written on the right side of the drawing. -- Source of annotation: Marvin or Ruth Sackner.

Enrico Bugli contributed a critical essay. -- Source of annotation: Marvin or Ruth Sackner.

The drawing by Caruso depicts four tilted leaves arranged vertically over music staffs with numbers. The leaves are filled with calligraphic text. The poem by Diacono was printed letterpress. The cover was painted by Piero Varroni. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue dealt with published and unpublished examples of Parole In Liberta. One such poem by Jamar 14 (aka Piero Gigli), "Villa T.B.C.," had the theme of a stay in a Tuberculosis Sanatorium. -- Source of annotation: Marvin or Ruth Sackner.

Stored in SCS box. -- Source of annotation: Marvin or Ruth Sackner.

The poem by Stelio M Martino entitled "Aquarium" is dedicated to Caruso. -- Source of annotation: Marvin or Ruth Sackner.