The number 84 was typed repetitively to achieve the desired visual effect. -- Source of annotation: Marvin or Ruth Sackner.

Henri Chopin used the same typewritten symbol on each page for the black and white reproduced typewriter poems. The works take the form of a square, a jar and lid, a mask, a crescent moon, and geometric shapes. This book was part of the EVENTS series, coordinated by Manuel Cuevas and Juan J. Agius. -- Source of annotation: Marvin or Ruth Sackner.

This book deals with Chopin's diary notes on the making of his sound poems. He mentions meeting the Sackners on his visit to Miami Beach in 1984. -- Source of annotation: Marvin or Ruth Sackner.

The suite of 12 original printed typewriter poems by Chopin utilizes one letter each to represent the first letter of Ruth Ruth Marvin Marvin Sackner Sackner Concrete Concrete Visual Visual Poetry Poetry. Large letters in these poems appear to be sikscreen additions. In the book, there is a a usual Chopin typewriter poem reproduced for each letter, number, and signed on the keyboard. Paul Zumthor contributed a handwritten poem. -- Source of annotation: Marvin or Ruth Sackner.

Contains technical instructions for producing a record from a tape of their sound poetry performance. -- Source of annotation: Marvin or Ruth Sackner.

Chopin provides address of Luigi Ferro. He discusses the possibility of publishing his poster "Je" and asks if Verey is interested. -- Source of annotation: Marvin or Ruth Sackner.

Chopin asks whether Verey will be coming to Ingatestone. He wants to buy 10 copies of Aux Hommes. Verey's response along with a drawing in his letter is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This letter deals with Chopin's concerns regardng the sale of the poster Aux Hommmes to a London gallery. -- Source of annotation: Marvin or Ruth Sackner.

Chopin invites Verey to his large home in Ingatestone. States that he has copies of Ou that Verey requested. -- Source of annotation: Marvin or Ruth Sackner.

Discusses a wall project. -- Source of annotation: Marvin or Ruth Sackner.

Chopin requests 10 copies of Aux Hommes. -- Source of annotation: Marvin or Ruth Sackner.

Chopin states that he is sending posters for sale. -- Source of annotation: Marvin or Ruth Sackner.

Chopin invites Verey to Ingatestone with Tom Clark at the end of August. -- Source of annotation: Marvin or Ruth Sackner.

Chopin asks Verey to present and sign his works at an exposition in July. -- Source of annotation: Marvin or Ruth Sackner.

Chopin writes that he will exhibit Verey's works. He also discusses translating the poster "Je." -- Source of annotation: Marvin or Ruth Sackner.

Chopin discusses specific graphic design ideas for the poster "Je." He mentions that he hopes to meet him at their homes or in London. -- Source of annotation: Marvin or Ruth Sackner.

Chopin thanks Verey for subscribing to "The Last Novel." He expresses hope for a very good poster from Verey for OU. -- Source of annotation: Marvin or Ruth Sackner.

Chopin writes that Edouard Jaguer found Verey's work to be very important. Requests Verey to make poster "We Are All Exiles" in four languages. -- Source of annotation: Marvin or Ruth Sackner.

Chopin states poster for Jaguer is entitled "Nous Sommes Tous des Emigres." He thanks Verey for his reviews of OU. -- Source of annotation: Marvin or Ruth Sackner.