Chopin, Henri, 1922-2008
Dates
- Existence: 1922-06-18 - 2008-01-03
Found in 137 Collections and/or Records:
Chronique: Page 54 [Collection Ou No.5], 1974
Chronique: Page 55 [Collection Ou No.5], 1974
Chronique: Page 56 [Collection Ou No.5], 1974
Chronique: Page 57 [Collection Ou No.5], 1974
Chronique: Page 58 [Collection Ou No.5], 1974
additional paragraph taped on in the middle of the page -- Source of annotation: Marvin or Ruth Sackner.
Chronique: Page 59 [Collection Ou No.5], 1974
Chronique: Page 59A [Collection Ou No.5], 1974
Documentation -- Source of annotation: Marvin or Ruth Sackner.
Chronique: Page 60 [Collection Ou No.5], 1974
piece written by Nietzsche -- Source of annotation: Marvin or Ruth Sackner.
Chronique: Page 61 [Collection Ou No.5], 1974
Collection Ou: Chronique 1974. No.5, 1974
Translated from the French into English by Jean Chopin. -- Source of annotation: Marvin or Ruth Sackner.
Collection OUt: Gong. No.0000 , 1974
The print depicts a photograph of Davies with the grill hanging from his head by red string. The caption at the bottom of the print provides instructions for playing this found instrument that accompanies the image. The top of the print depicts drawings of the right and left ears that have a single perforation for supporting the grill with the string for framing. -- Source of annotation: Marvin or Ruth Sackner.
Collection OUt: Immaculate Contraception. No.00 , 1971
The print depicts a photograph of a seated pope with collaged elements of a female torso in the opening of the papal robe and the body of nude ancient stature pointing his arm at the pope's forehead. A paper doily is collaged below the papal image. -- Source of annotation: Marvin or Ruth Sackner.
Collection OUt: On Reflection. No.00000 , 1976
The print depicts a drawing of a topless women in a mirror joined by the lower half of her body viewed from the rear. -- Source of annotation: Marvin or Ruth Sackner.
Collection OUt: Poure Henri Chopin. No.000 , 1973
The print depicts a line drawing of a self-portrait head. A letter to Chopin from Janco is reproduced below it in white ink on a gray background. -- Source of annotation: Marvin or Ruth Sackner.
Concrete Sound Poetry 1950-1970, 1970
Cobbing describes the history of contemporary sound poetry and the techniques utilized by the poets. He concludes "The very diversity of sound poetry is in line with its emphasis on the freedom of the individual and the withering of external authority, on man as a communal and social animal, on communication as a life-giving activity, things which in this bureaucratic and techncratic age we need constantly to remember." This is Cobbing's manuscript essay for the ground-breaking exhibition, "klankteksten ? konkrete poezie visuele tesksten - sound texts ? concrete poetry visual texts - akustiche texte ? konkrete poesie visuelle texte." -- Source of annotation: Marvin or Ruth Sackner.
Concrete Sound Poetry: Record Notes / Cobbing, Bob; Chopin H; Dufrene F; Heidsieck B; Johnson BE; Hanson S; Cobbing B; Novak L; Jandl E., 1970
The text consists of notes for the record of the same title; the record is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Ecarts de Bal, 1974
The bird-like shapes of the perforations are repeated in the bird shapes of the folded papers collaged onto the several pages. Except for the page with text by Chopin, the book is entirely white and was handmade by Bal. -- Source of annotation: Marvin or Ruth Sackner.
Festival of Sound, 1968
Fragile, 1976
Chopin makes an analogy between the images of two space ships (Apollo and Soyuz) joining in space, as depicted on postage stamps, to homosexuality. -- Source of annotation: Marvin or Ruth Sackner.
Freibord: Die Konferenz Von Jalta/The Conference of Yalta (translated by Jean Chopin). No.47-48 / Henri Chopin., 1985
This is the deluxe edition of this periodical. The typed poem is a repetition of the year, '84' with overtyping. The ordinary edition is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
