Designated ICPA Publication No.6. A portion of a typed, concrete poem was repetetively recopied on a photocopier and enlarged such that its image diminishes page by page until it virtually disappears. -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA Publication No.22. This is the documentation of the collaboration between Claire and Paul San Casciani, a stained glass artist for an exhibition during Oxford Week 1988. -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA Publication No.20. Images of the poems depict galaxies of stars as imagined by Claire after staring at the sky for several nights following her attendence at a conference on galaxies. -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA Publication No.4. The images consist of the leaves from the Gingko tree and the work was performed at the Toronto Festival, Harbourfront Arts Centre 1984. -- Source of annotation: Marvin or Ruth Sackner.

Published in Codesigns, Writers Forum, 1976. First performance National Party Centre 15 Oct 1974. Hydra is a minute freshwater coelenterate with a stalklike tubular body and a ring of tentacles around the mouth. -- Source of annotation: Marvin or Ruth Sackner.

Published in Codesigns, Writers Forum, 1976. Hydra is a minute freshwater coelenterate with a stalklike tubular body and a ring of tentacles around the mouth. -- Source of annotation: Marvin or Ruth Sackner.

Published in Codesigns, Writers Forum, 1976. First performance at National Poetry Center, October 15, 1974. -- Source of annotation: Marvin or Ruth Sackner.

This book was purchased from Paula Claire at a luncheon meeting she hosted with the Sackners in London in September 2013. It provides an in depth review of the eight artist/poets works featured in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA Publication No.12. The tautologic, typed texts are overlaid to form a Moire image and then printed with a photocopier. These poems were generated from Etherealght 1985 ICPA 5 Desember 1985. -- Source of annotation: Marvin or Ruth Sackner.

Privides a listing of International concrete poets by country along with a comment about their major categories of work, e.g., visual concrete poetry; visual, typewriter and concrete poetry, etc. ICPA Supplements No.1-4 are the unbound pages that list new items into the collection. In the introduction, P.Claire thanks the Sackners for sharing information about their Archive. -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA Publication No.17. Claire writes that this performance piece was inspired by her seeing a sculpture of flying Canadian geese during the course of her stay in Toronto at the 1984 Toronto Festival at Harborview Arts Centre. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing's poems have handwritten annotations by Claire for their performance at the Berlin Festival, Akademie der Kunst, September 1977. -- Source of annotation: Marvin or Ruth Sackner.

Experiments in Disintegrating Language was a group composed of Charles Verey, Neil Mills, and Thomas A. Clark. Konkrete Canticle was a group composed of Bob Cobbing, Paula Claire, and Michael Chant. -- Source of annotation: Marvin or Ruth Sackner.

Experiments in Disintegrating Language was a group composed of Charles Verey, Neil Mills, and Thomas A. Clark. Konkrete Canticle was a group composed of Bob Cobbing, Paula Claire, and Michael Chant. -- Source of annotation: Marvin or Ruth Sackner.

Claire comments on Willliams' "Anthology of Concrete Poetry." -- Source of annotation: Marvin or Ruth Sackner.