This work depicts six poems arranged in a grid. It relates to a sculptural work also held by the Sackner Archive that was exhibited in the Apollinaire ICA exhibition in London 1968. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts two of cobbing's prints and was presumably distributed as an announcement. -- Source of annotation: Marvin or Ruth Sackner.

Last of the Processual series, this work includes transformations of each of the images in all the fourteen works, which had been published previously. Cobbing also provides documentation for the composition of all these works. He dedicates Processual Quintet to Marvin Sackner "who visited at the time of its publication." -- Source of annotation: Marvin or Ruth Sackner.

Each page contains a poem for a letter of the alphabet. -- Source of annotation: Marvin or Ruth Sackner.

Design by John Furnival. -- Source of annotation: Marvin or Ruth Sackner.

This booklet was written for a workshop in a grade school class and is a second edition of the book. -- Source of annotation: Marvin or Ruth Sackner.

This work was made for a performance in Saarbrucken, West Germany, January 1977. -- Source of annotation: Marvin or Ruth Sackner.

Designated Studies in Concrete Poetry No.4 and is a reprinting of the lecture delivered by Cobbing at the Text as Figure exhibition in Wolfenbuttel 1987 with the following topics: 1) typewriter dirty clean, 2) typewriter, 3) calligraphy hand writing drawn letters, 4) press-on lettering, 5) press-on letters & other means, 6) mimeo misuse, 7) found materials, 8) more found materials, 9) photo-copying, 10) photo-copier, 11) computer, and 12) back to the beginning. The 69 examples in this book include mostly Cobbing's poems but a few examples of other poets as well. -- Source of annotation: Marvin or Ruth Sackner.