Deals with the "mechanics" and results of collaboration between poets and writers through essays contributed by the participants. -- Source of annotation: Marvin or Ruth Sackner.

For this book, each artist was asked to contribute one page of autobiography and one page about anything beginning with the same initial letter as his surname. -- Source of annotation: Marvin or Ruth Sackner.

For this book, each artist was asked to contribute one page of autobiography and one page about anything beginning with the same initial as his surname. -- Source of annotation: Marvin or Ruth Sackner.

Contirbutors each produced ten A4 sheets each sheet relating to one of the ten letters in BERN PORTER... The theme is anti-nuclear war weapons. This oeriodical is stored in Robin Crozier's box. The names on the cover are unfamiliar to the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

According to Theo Green of Inkblot, less than 30 copies of Collected Poems Volume Eight were assembled and he is only aware of five copies, all in private hends. -- Source of annotation: Marvin or Ruth Sackner.

Book consists of a visual/verbal collaboration between Crozier and his student, Robert Kelly. -- Source of annotation: Marvin or Ruth Sackner.

Book consists of a visual/verbal collaboration between Crozier and his student, Robert Kelly. -- Source of annotation: Marvin or Ruth Sackner.

Book consists of a visual/verbal collaboration between Crozier and his student, Robert Kelly. -- Source of annotation: Marvin or Ruth Sackner.

This book provides performances directions on fluxus-like themes. -- Source of annotation: Marvin or Ruth Sackner.

In response to Loeffler's request for a critical essay for his "Book on Correspondence Art" Crozier describes what it would be like to receive work from his colleagues in the mail art network. The narrative mentions over 450 names, all listed in alphabetical order. Mentions "Marvin Sackner who is the only non-artist in here or is he now..." -- Source of annotation: Marvin or Ruth Sackner.

Vittore Baroni, Robert Filliou, Bill Gaglione, Edgardo Antonio Vigo, William Xerra, Nicholas Zurbrugg, Lon Spiegelman, Marvin A. Sackner, Takako Saito, Eugenio Miccini, Clemente Padín, and Richard Kostelanetz are some of the names associated with this letter.

This book was made in the summer of 1981 by developing artistic variations of some of the 500 tables as exhibited in Crozier's Table Project at Stempelplaats, Amsterdam, January 1981. -- Source of annotation: Marvin or Ruth Sackner.

This project is composed of self-portraits of the 130 artists themselves, who participated in the first part of this portrait project (also a book) by sending a portrait of Robin Crozier to Crozier. -- Source of annotation: Marvin or Ruth Sackner.

This sound poem depicts an figurative image of abstract markings that are titled as a portrait of Robin Crozier, a mail artist living in England. -- Source of annotation: Marvin or Ruth Sackner.

The shape that has been incised could be either a triangle or a pyramid. -- Source of annotation: Marvin or Ruth Sackner.