Crozier, Robin, 1936-2001
Nationality
British
Found in 50 Collections and/or Records:
A 1988 Neoist Stampsheet For Blood & Gold , 1988
Nine stamps with different variations of the "smiley face." -- Source of annotation: Marvin or Ruth Sackner.
A Rough Draft re: coLABORation, 1989
Deals with the "mechanics" and results of collaboration between poets and writers through essays contributed by the participants. -- Source of annotation: Marvin or Ruth Sackner.
Art A to Z Part One, 1977
For this book, each artist was asked to contribute one page of autobiography and one page about anything beginning with the same initial letter as his surname. -- Source of annotation: Marvin or Ruth Sackner.
Art A to Z Part Two, 1977
For this book, each artist was asked to contribute one page of autobiography and one page about anything beginning with the same initial as his surname. -- Source of annotation: Marvin or Ruth Sackner.
Art One/One , 1979
Bambu, No. 13, Anniversary Edition: Administration, 1992
Bern Porter: ghost writers. No.2, 1987
Contirbutors each produced ten A4 sheets each sheet relating to one of the ten letters in BERN PORTER... The theme is anti-nuclear war weapons. This oeriodical is stored in Robin Crozier's box. The names on the cover are unfamiliar to the Sackners. -- Source of annotation: Marvin or Ruth Sackner.
Blood and Gold, No. 6: (Flaming) Steam Iron, 1988
[Cover Design & Notes for Collected Poems Volume Eight: Astound & Risible], 1987
According to Theo Green of Inkblot, less than 30 copies of Collected Poems Volume Eight were assembled and he is only aware of five copies, all in private hends. -- Source of annotation: Marvin or Ruth Sackner.
Essaying Wanda 1978-1990 Volume One, 1990
Book consists of a visual/verbal collaboration between Crozier and his student, Robert Kelly. -- Source of annotation: Marvin or Ruth Sackner.
Essaying Wanda 1978-1990 Volume Three, 1990
Book consists of a visual/verbal collaboration between Crozier and his student, Robert Kelly. -- Source of annotation: Marvin or Ruth Sackner.
Essaying Wanda 1978-1990 Volume Two, 1990
Book consists of a visual/verbal collaboration between Crozier and his student, Robert Kelly. -- Source of annotation: Marvin or Ruth Sackner.
I Suppose There Should Have Been More Colour, 1974
This book provides performances directions on fluxus-like themes. -- Source of annotation: Marvin or Ruth Sackner.
Letter to Carl Loeffler, 1981
In response to Loeffler's request for a critical essay for his "Book on Correspondence Art" Crozier describes what it would be like to receive work from his colleagues in the mail art network. The narrative mentions over 450 names, all listed in alphabetical order. Mentions "Marvin Sackner who is the only non-artist in here or is he now..." -- Source of annotation: Marvin or Ruth Sackner.
Vittore Baroni, Robert Filliou, Bill Gaglione, Edgardo Antonio Vigo, William Xerra, Nicholas Zurbrugg, Lon Spiegelman, Marvin A. Sackner, Takako Saito, Eugenio Miccini, Clemente PadÃn, and Richard Kostelanetz are some of the names associated with this letter.
Mail Connection 1 , 1981
Additional filters:
- Subject
- Assembling 7
- Artist book 5
- Correspondence art 5
- Visual/verbal 5
- Concrete poetry 4
- Neo-Dada 4
- Visual poetry 4
- Calligraphic text 3
- Documentation 3
- Stamp art 3
- Conceptual art 2
- Conceptual text 2
- Neo-concrete poetry 2
- Abstract markings 1
- Mesostic 1
- Permutation 1
- Picture poetry 1
- Political text 1
- Rubber stamps 1
- Sound poetry 1
- Suprematism 1
- Visual art 1
- Xerox art 1
