Postface that was written by Rodney Grey gives an account of the subject of this book, the Shaman and his/her space. -- Source of annotation: Marvin or Ruth Sackner.

The print consists of rubberstamped words in English and French arranged to form a visual poetic image of a landscape. -- Source of annotation: Marvin or Ruth Sackner.

The print consists of rubberstamped words in English and French arranged to form a visual poetic image of a landscape. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Henri Chopin and translated from English into French with printing on translucent paper by Jean Chopin. This book was printed by Design and Print, London for Henri Chopin. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Henri Chopin who also contributes a critical essay on de Charmoy's work. Translated from the English into French by Jean Chopin. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Henri Chopin who also contributes a critical essay on de Charmoy's work. Translated from the English into French by Jean Chopin. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts a photograph of a seated pope with collaged elements of a female torso in the opening of the papal robe and the body of nude ancient stature pointing his arm at the pope's forehead. A paper doily is collaged below the papal image. -- Source of annotation: Marvin or Ruth Sackner.

This book contains texts, images, collages, graphics and photographs by the two authors. -- Source of annotation: Marvin or Ruth Sackner.

The photograph, presumably taken by Rodney Gray, depicts a seminude photograph of de Charmoy standing on the left side of a surrealist painting and a clothed Federico Busonero standing on the right side. -- Source of annotation: Marvin or Ruth Sackner.

This photograph depicts a portrait of Grey's wife, Cozette de Charmoy. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue has several introductory essays including one contributed by Marvin Sackner. Other sections include a) Books, b) Unique Manuscripts & Books, and c) Drawings, Prints, Posters & Miscellaneous. Fifty catalogues had an accompanying print. The print is a red and blue colored concrete poetic landscape image formed by rubberstamping words in French and English. The unbound pages provide translations for the critical essays written in French. The print is stored separately in a de Charmoy box. -- Source of annotation: Marvin or Ruth Sackner.

The pages consist of printed rubberstampings and drawings that depict male and female nude figures, embracing as in a dance. These images progress from life through death as represented by skeletons. -- Source of annotation: Marvin or Ruth Sackner.

This detail of a large painting consists of rubberstampings of the names of contemporary artists and poets utilizing concrete and visual poetry or language in their visual works. -- Source of annotation: Marvin or Ruth Sackner.

Consists of ECG strips and a rubberstamped ambersand. -- Source of annotation: Marvin or Ruth Sackner.

This book collects a selection of de Charmoy's published poems. -- Source of annotation: Marvin or Ruth Sackner.