Scope and Contents

Didier Semin provided the introductory essay. This book deals with and prints reproductions of Dufrene's written texts. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The cover illustration is a Signografia by Clemente Padin. Henri Chopin contributed a critical essay. This work is stored in the Vigo box. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue depicts lettriste publications and objects with annotations year by year over the period 1946 to 1977. The first page (cover) depicts a photographic reproduction of the first Lettriste manifesto (c.1946). A great many of the publications in this catalogue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Consists of selected texts by Bob Cobbing 1944-1990. Jennifer Pike, Bob's wife, also writes under the name Jennifer Cobbing. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Consists of selected texts by Bob Cobbing 1944-1990. Jennifer Pike, Bob's wife, also writes under the name Jennifer Cobbing. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Consists of selected texts of Bob Cobbing 1944-1990. Jennifer Pike, Bob's wife, also writes under the name Jennifer Cobbing. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The first of what was to have been a two volume work; the author died before completing Volume Two. This first volume covers the classic age of collage, prior to WW II and contains some material on the 1950's and 1960's. The author, Dr. Herta Wescher, was the friend of many Bauhaus and other collage artists.Her writing embodies the enthusiasm, humor, affection, and personal comprehension of a participant in the lively and contentious circles she frequented. Assiduously she tracked down reminiscences and forgotten works from those tumultuous times, rescuing from oblivion much previously unpublished material. Thanks to her research, the reader may not only see the output of world-famous collagists, but also may meet the brilliant but often neglected Czech adherents of Futurist and later styles; the Russian Avant Garde; the loners from various parts of the world, all of whom helped make collage one of the most direct and unguarded forms of expression in the long history of art." --...

Scope and Contents

Cobbing describes the history of contemporary sound poetry and the techniques utilized by the poets. He concludes "The very diversity of sound poetry is in line with its emphasis on the freedom of the individual and the withering of external authority, on man as a communal and social animal, on communication as a life-giving activity, things which in this bureaucratic and techncratic age we need constantly to remember." This is Cobbing's manuscript essay for the ground-breaking exhibition, "klankteksten ? konkrete poezie visuele tesksten - sound texts ? concrete poetry visual texts - akustiche texte ? konkrete poesie visuelle texte." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The text consists of notes for the record of the same title; the record is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Exhibition was curated by Francois Letaillieur. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Exhibition was curated by Francois Letaillieur. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The cover reproduces a letter poem by Clemente Padin. The exhibition was organized by Ovum 10 and includes a listing of international journals of avant garde literature. -- Source of annotation: Marvin or Ruth Sackner.