Scope and Contents

Lists Cobra documents, books and catalogues from 1948 to 1998. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The book begins with a timeline of the history of sound poetry tracing the literature, instruments, playing and treatises. It contains a descriptive analysis of the works of the major European sound poets with minimal attention to the works of non-European poets. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The book begins with a timeline of the history of sound poetry tracing the literature, instruments, playing and treatises. It contains a descriptive analysis of the works of the major European sound poets with minimal attention to the works of non-Europeans. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Issued in conjunction with Chopin's book of the same title, a work also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Issued in conjunction with Chopin's book of the same title, a work also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Cobbing discusses theories of Louis Zukofsky involving music in poetry and the use of tape-recorders vs. solely the human voice in performing sound poems. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition and catalogue were organized as a memorial to Dufrene who died in 1982. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This photocollage was used for OU 23/24, 1965. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Bertini illustrated this book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Elisabeth Sussman, the editor, provided the introduction. Certain key texts selected by Greil Marcus have been translated and annotated by Thomas Levin. Debord, in his 1967 study "Society of the Spectacle" articulates his principal theses. Greil Marcus provides a critical essay on Debord's key publication "Memories". Key texts of Debord's are translated into English. An excellent chronology of the Situationist movement is provided. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents British Library: "Bob Cobbing (1920"“2002) was a British sound, visual, concrete, and performance poet; a central member of the British Poetry Revival; and an influence on generations of artists, sound experimenters, educators, poets, and printmakers. Perhaps his most famous work is 26 Sound Poems, several poems of which are included here, alongside collaborations with Annea Lockwood, Henri Chopin, François Dufrene, and others, as well as previously unreleased archival recordings from the BBC and the British Library's Sound Archive, in which the listener can hear Cobbing's unique exploration of the visual and auditory possibilities inherent in the English alphabet. In a career marked by the emergence of the 1960s counterculture and the thrilling potential for sound-based performance poetics, the work of Bob Cobbing stands alone as an instrument at play for the human voice; a testament to the core interdisciplinarity between writings for print and sound; and the strangely verbal...

Scope and Contents British Library: "Bob Cobbing (1920"“2002) was a British sound, visual, concrete, and performance poet; a central member of the British Poetry Revival; and an influence on generations of artists, sound experimenters, educators, poets, and printmakers. Perhaps his most famous work is 26 Sound Poems, several poems of which are included here, alongside collaborations with Annea Lockwood, Henri Chopin, François Dufrene, and others, as well as previously unreleased archival recordings from the BBC and the British Library's Sound Archive, in which the listener can hear Cobbing's unique exploration of the visual and auditory possibilities inherent in the English alphabet. In a career marked by the emergence of the 1960s counterculture and the thrilling potential for sound-based performance poetics, the work of Bob Cobbing stands alone as an instrument at play for the human voice; a testament to the core interdisciplinarity between writings for print and sound; and the strangely verbal...