Finlay, Ian Hamilton, 1925-2006
Dates
- Existence: 1925 October 28 - 2006 March 27
Nationality
Scottish
Found in 178 Collections and/or Records:
Archive for Panzer Leader: Bronze Tortoise for Battersea, 1977
Are Aircraft Carriers Urban or Rural? , 1976
Arlington Two , 1967
Exhibition was organized by the students of Bath Academy of Art to carry out projects proposed by their three teachers, Furnival, Finlay, and Houedard. -- Source of annotation: Marvin or Ruth Sackner.
Arrosoir, 1984
Arrosoir means watering-can, a still-life depicted on this card. The caption under this image states, "The Robespierrists were guillotined on Arrosoir, Watering-can, in Thermidor, Month of Heat (Republican Calendar, 1792-1806). Baveuf described Robespierre as 'the genius in whom resided truly regenerative ideas...' The image of the watering can is depicted with a black ribbon. -- Source of annotation: Marvin or Ruth Sackner.
At the Field's Edge (1), 1976
The cabin of an aircraft carrier above the landing field is used as a metaphor for the accompanying poem by Finlay, "At the field's edge, on the vertiginous cliff-top, stood a solitary hut." The poem is printed on the bottom of the back page. -- Source of annotation: Marvin or Ruth Sackner.
At the Field's Edge (2), 1976
The cabin of an aircraft carrier above the landing field is used as a metaphor for the accompanying poem by Finlay, "At the field's edge, on the vertiginous cliff-top, stood a solitary Hut." This copy is neither signed nor numbered and probably represents an acceptable proof copy. -- Source of annotation: Marvin or Ruth Sackner.
At the Field's Edge (3), 1976
The cabin of an aircraft carrier above the landing field is used as a metaphor for the accompanying poem by Finlay, "At the field's edge, on the vertiginous cliff-top, stood a solitary Hut." The drawing is structured over a Finlay work "sea ms." -- Source of annotation: Marvin or Ruth Sackner.
Au Pair Girl 1, 1964
The photograph appears to be a distorted image of the repeticious title placed on a loose fabric. -- Source of annotation: Marvin or Ruth Sackner.
Au Pair Girl 2, 1964
The photograph appears to be a distorted image of the repeticious title placed on a loose fabric. -- Source of annotation: Marvin or Ruth Sackner.
Battle of Midway, 1976
The bee symbol in this drawing suggests the sea (bee) and hive symbolizing the aircraft carriers. The text is written in old English characters. This drawing served as preparatory drawings for a subsequently realized print that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Beat the Reds with the White Wedge: Correspond!, 1984
The poem, on folded white paper shaped like an arrow, contains the message printed in red, "Beat the Reds with the White Wedge: Correspond!" This slogan has been modified from El Lissitzky's revolutionary poster, "Beat the Whites with the Red Wedge." It refers to an appeal to write in his support regarding his contemporaneous tax dispute. It does not appear to be referenced in the Finlay bibliographies. -- Source of annotation: Marvin or Ruth Sackner.
Bicentenary Tricolour , 1989
The poem on the French tricolor flag reads, "Liberty for Some; Equality for Some; Fraternity for Some" rather than "for All." -- Source of annotation: Marvin or Ruth Sackner.
Blue Lemon, 1998
This is a commercial Swiss match box that advertises a night club, 'Hot Lemon.' Finlay has printed in the same typography on the opposite side, 'Blue Lemon.' The poem that substitutes for the address site of "Hot Lemon" reads, Moray Firth Seine Netter - Fruition - Port Letters / Fishing Nos. INS265. -- Source of annotation: Marvin or Ruth Sackner.
Citron Bleu / Finlay, Ian Hamilton; Hincks, Gary., 1994
Image was taken from a detail of a painting by William Gillies. -- Source of annotation: Marvin or Ruth Sackner.
Classical/Neoclassical / Finlay, Ian Hamilton; Hincks, Gary., 1987
The classical image is of a six layer cake; the image of neoclassical is of six stacked drums. In each picture, the sizes of each layer become progressively smaller from botton to top. The cake probably refers to Marie Antoinette's pre-revolutionary statement, "Let Them Eat Cake!" and the drums refer to the French revolution. -- Source of annotation: Marvin or Ruth Sackner.
[Concrete and Sound Poems], 1967
Concrete Poet, 1968
This is a critical essay with illustrations of Finlay's work by Douglas Eadie. -- Source of annotation: Marvin or Ruth Sackner.
Cover Design for Neue Texte No.2: Integration Alone is not Enough Marco Movies Natter I II, 1969
Cygnet, 1997
The inside of a Swan Vestas match box was modified to display an image of a sailboat on folded papercard. -- Source of annotation: Marvin or Ruth Sackner.
Diamond-Studded Fishnet, 1982
This card also served as an invitation to a private viewing of "A Pittenweem Fancy" by Finlay at Kellie Lodging during the Royal Burgh of Pittenweem Arts Festival. -- Source of annotation: Marvin or Ruth Sackner.
