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Finlay, Ian Hamilton, 1925-2006

 Person

Dates

  • Existence: 1925 October 28 - 2006 March 27

Nationality

Scottish

Found in 178 Collections and/or Records:

Archive for Panzer Leader: Bronze Tortoise for Battersea, 1977

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-61367-10003939

Arlington Two , 1967

 Item — Folder 63: [Barcode: 31858072537974]
Identifier: CC-25650-26108
Scope and Contents

Exhibition was organized by the students of Bath Academy of Art to carry out projects proposed by their three teachers, Furnival, Finlay, and Houedard. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Arrosoir, 1984

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-56034-9999486
Scope and Contents

Arrosoir means watering-can, a still-life depicted on this card. The caption under this image states, "The Robespierrists were guillotined on Arrosoir, Watering-can, in Thermidor, Month of Heat (Republican Calendar, 1792-1806). Baveuf described Robespierre as 'the genius in whom resided truly regenerative ideas...' The image of the watering can is depicted with a black ribbon. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

At the Field's Edge (1), 1976

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-11897-12119
Scope and Contents

The cabin of an aircraft carrier above the landing field is used as a metaphor for the accompanying poem by Finlay, "At the field's edge, on the vertiginous cliff-top, stood a solitary hut." The poem is printed on the bottom of the back page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

At the Field's Edge (2), 1976

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-11902-12124
Scope and Contents

The cabin of an aircraft carrier above the landing field is used as a metaphor for the accompanying poem by Finlay, "At the field's edge, on the vertiginous cliff-top, stood a solitary Hut." This copy is neither signed nor numbered and probably represents an acceptable proof copy. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

At the Field's Edge (3), 1976

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-11903-12125
Scope and Contents

The cabin of an aircraft carrier above the landing field is used as a metaphor for the accompanying poem by Finlay, "At the field's edge, on the vertiginous cliff-top, stood a solitary Hut." The drawing is structured over a Finlay work "sea ms." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Au Pair Girl 1, 1964

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-56273-9999711
Scope and Contents

The photograph appears to be a distorted image of the repeticious title placed on a loose fabric. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

Au Pair Girl 2, 1964

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-56274-9999712
Scope and Contents

The photograph appears to be a distorted image of the repeticious title placed on a loose fabric. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

Battle of Midway, 1976

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-12106-12330
Scope and Contents

The bee symbol in this drawing suggests the sea (bee) and hive symbolizing the aircraft carriers. The text is written in old English characters. This drawing served as preparatory drawings for a subsequently realized print that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Beat the Reds with the White Wedge: Correspond!, 1984

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-11909-12131
Scope and Contents

The poem, on folded white paper shaped like an arrow, contains the message printed in red, "Beat the Reds with the White Wedge: Correspond!" This slogan has been modified from El Lissitzky's revolutionary poster, "Beat the Whites with the Red Wedge." It refers to an appeal to write in his support regarding his contemporaneous tax dispute. It does not appear to be referenced in the Finlay bibliographies. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Bicentenary Tricolour , 1989

 Item — Folder 62: [Barcode: 31858072537966]
Identifier: CC-10992-11206
Scope and Contents

The poem on the French tricolor flag reads, "Liberty for Some; Equality for Some; Fraternity for Some" rather than "for All." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Blue Lemon, 1998

 Item — Box 301: [Barcode: 31858072460912]
Identifier: CC-35431-37166
Scope and Contents

This is a commercial Swiss match box that advertises a night club, 'Hot Lemon.' Finlay has printed in the same typography on the opposite side, 'Blue Lemon.' The poem that substitutes for the address site of "Hot Lemon" reads, Moray Firth Seine Netter - Fruition - Port Letters / Fishing Nos. INS265. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Citron Bleu / Finlay, Ian Hamilton; Hincks, Gary., 1994

 Item — Folder 36: [Barcode: 31858072459963]
Identifier: CC-12517-12744
Scope and Contents

Image was taken from a detail of a painting by William Gillies. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Classical/Neoclassical / Finlay, Ian Hamilton; Hincks, Gary., 1987

 Item — Folder 35: [Barcode: 31858072459948]
Identifier: CC-12361-12587
Scope and Contents

The classical image is of a six layer cake; the image of neoclassical is of six stacked drums. In each picture, the sizes of each layer become progressively smaller from botton to top. The cake probably refers to Marie Antoinette's pre-revolutionary statement, "Let Them Eat Cake!" and the drums refer to the French revolution. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

[Concrete and Sound Poems], 1967

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-11891-12113

Concrete Poet, 1968

 Item — Folder 59: [Barcode: 31858072537933]
Identifier: CC-12467-12694
Scope and Contents

This is a critical essay with illustrations of Finlay's work by Douglas Eadie. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Cygnet, 1997

 Item — Box 301: [Barcode: 31858072460912]
Identifier: CC-35384-37119
Scope and Contents

The inside of a Swan Vestas match box was modified to display an image of a sailboat on folded papercard. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Diamond-Studded Fishnet, 1982

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-13006-13298
Scope and Contents

This card also served as an invitation to a private viewing of "A Pittenweem Fancy" by Finlay at Kellie Lodging during the Royal Burgh of Pittenweem Arts Festival. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982