These preparatory drawings were intended for glass water-floating sculptures. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a boxed set of nine papercard model gliders to be cut from the prints. Each glider has been embellished with a military decal of the countries that fought World War II along with the name of a garden plant that has been printed on the rear wing. This was published in an unlimited edition. William Allen comments: Outer box made by the cult small press publisher Brian Lane. Box contains bag of elastic bands, nine silkscreen prints of different Arcadian glider kits and an instruction booklet. "Each airplane is embellished with a military decal and the name of an appropriate common garden feature has been printed on the rear wing. When the airplanes have been constructed, they may either be displayed together as a squadron or, if you have access to a garden, they should be carefully placed in the relevant spot to act as markers or name tags and a pleasing focus of interest for when the flowers are out of season." -- Source of annotation: Marvin or Ruth Sackner.

Arrosoir means watering-can, a still-life depicted on this card. The caption under this image states, "The Robespierrists were guillotined on Arrosoir, Watering-can, in Thermidor, Month of Heat (Republican Calendar, 1792-1806). Baveuf described Robespierre as 'the genius in whom resided truly regenerative ideas...' The image of the watering can is depicted with a black ribbon. -- Source of annotation: Marvin or Ruth Sackner.

The cabin of an aircraft carrier above the landing field is used as a metaphor for the accompanying poem by Finlay, "At the field's edge, on the vertiginous cliff-top, stood a solitary hut." The poem is printed on the bottom of the back page. -- Source of annotation: Marvin or Ruth Sackner.

The cabin of an aircraft carrier above the landing field is used as a metaphor for the accompanying poem by Finlay, "At the field's edge, on the vertiginous cliff-top, stood a solitary Hut." This copy is neither signed nor numbered and probably represents an acceptable proof copy. -- Source of annotation: Marvin or Ruth Sackner.

The cabin of an aircraft carrier above the landing field is used as a metaphor for the accompanying poem by Finlay, "At the field's edge, on the vertiginous cliff-top, stood a solitary Hut." The drawing is structured over a Finlay work "sea ms." -- Source of annotation: Marvin or Ruth Sackner.

The bee symbol in this drawing suggests the sea (bee) and hive symbolizing the aircraft carriers. The text is written in old English characters. This drawing served as preparatory drawings for a subsequently realized print that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a commercial Swiss match box that advertises a night club, 'Hot Lemon.' Finlay has printed in the same typography on the opposite side, 'Blue Lemon.' The poem that substitutes for the address site of "Hot Lemon" reads, Moray Firth Seine Netter - Fruition - Port Letters / Fishing Nos. INS265. -- Source of annotation: Marvin or Ruth Sackner.

The inside of a Swan Vestas match box was modified to display an image of a sailboat on folded papercard. -- Source of annotation: Marvin or Ruth Sackner.

This print is a template for a design of covers for jampots base upon the image of sundials. -- Source of annotation: Marvin or Ruth Sackner.

One of six glass lenses designed by Finlay and interpreted by Stevens, engraved on two sides with a decorative representation of a ship, its name and inscription composed by Finlay. The inscription reads "In a Blossom of Foam" The printed, folded brochure describes and documents the six glass lenses. -- Source of annotation: Marvin or Ruth Sackner.

This poem was composed after a work by Tom and Laurie Clark. -- Source of annotation: Marvin or Ruth Sackner.

This work is based upon a design by the Elizabethan architect, Inago Jones. -- Source of annotation: Marvin or Ruth Sackner.

The photographs consist of images of tree trunks and branches painted by Janet Boulton and photographed by Robin Gillanders. The images satisfy the caption on the first page, viz., HIGHLIGHT, n., a mark, sign, or medal, awarded by the light. The book was printed and bound by Colin Sackett. One copy of this book was given by Finlay to the Sackners as a Christmas gift. -- Source of annotation: Marvin or Ruth Sackner.

Printed on white paper. The image on the inside back cover is a small, hand drawn, black square. -- Source of annotation: Marvin or Ruth Sackner.

Printed on gray paper; the Sackner Archive also has a copy printed on white paper. The image on the inside back cover is a small, hand drawn, black square. -- Source of annotation: Marvin or Ruth Sackner.

Finlay combines line images of airplanes with analogies to butterflies and a cherry blossom. This work consists of a folded sheet of light blue, blank tissue paper containing a second, slightly smaller, folded sheet of white tissue paper with line drawings of aeroplanes and text (in blue). -- Source of annotation: Marvin or Ruth Sackner.

The title of the work is printed on the folder; the print is of green stock paper and has a caption at its bottom that is entitled, ANTIQUE WOVE. -- Source of annotation: Marvin or Ruth Sackner.

The message deals with enlisting help for Finlay's despute with the local tax collectors. -- Source of annotation: Marvin or Ruth Sackner.