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Finlay, Ian Hamilton, 1925-2006

 Person

Nationality

Scottish

Found in 18 Collections and/or Records:

Arcadian Gliders, 1981

 Item — Box unknown: [Barcode: 31858073143665]
Identifier: CC-12530-12758
Scope and Contents

Consists of a boxed set of nine papercard model gliders to be cut from the prints. Each glider has been embellished with a military decal of the countries that fought World War II along with the name of a garden plant that has been printed on the rear wing. This was published in an unlimited edition. William Allen comments: Outer box made by the cult small press publisher Brian Lane. Box contains bag of elastic bands, nine silkscreen prints of different Arcadian glider kits and an instruction booklet. "Each airplane is embellished with a military decal and the name of an appropriate common garden feature has been printed on the rear wing. When the airplanes have been constructed, they may either be displayed together as a squadron or, if you have access to a garden, they should be carefully placed in the relevant spot to act as markers or name tags and a pleasing focus of interest for when the flowers are out of season." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Arrosoir, 1984

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-56034-9999486
Scope and Contents

Arrosoir means watering-can, a still-life depicted on this card. The caption under this image states, "The Robespierrists were guillotined on Arrosoir, Watering-can, in Thermidor, Month of Heat (Republican Calendar, 1792-1806). Baveuf described Robespierre as 'the genius in whom resided truly regenerative ideas...' The image of the watering can is depicted with a black ribbon. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Beat the Reds with the White Wedge: Correspond!, 1984

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-11909-12131
Scope and Contents

The poem, on folded white paper shaped like an arrow, contains the message printed in red, "Beat the Reds with the White Wedge: Correspond!" This slogan has been modified from El Lissitzky's revolutionary poster, "Beat the Whites with the Red Wedge." It refers to an appeal to write in his support regarding his contemporaneous tax dispute. It does not appear to be referenced in the Finlay bibliographies. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Every Goal Negates. Ludwig Feuerbach, 1985

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-11911-12133
Scope and Contents The poem is printed in red with folded paper shaped like an arrow. It was printed on the Second Anniversary of the First Battle of Little Sparta and its slogan relates to Finlay's dispute with the local tax collectors. Wikipedia: Ludwig Andreas von Feuerbach (July 28, 1804 "“ September 13, 1872) was a German philosopher and anthropologist best known for his book The Essence of Christianity, which provided a critique of Christianity which strongly influenced generations of later thinkers, including both Karl Marx and Frederich Engels. Feuerbach was the fourth son of the eminent jurist Paul Johann Anselm Ritter von Feuerbach, brother of mathematician Karl Wilhelm Feuerbach and uncle of painter Anselm Feuerbach. An associate of Left Hegelian circles, Feuerbach advocated for liberalism, atheism and materialism. Many of his philosophical writings offered a critical analysis of religion. His thought was influential in the development of dialectical materialism, where he is often...
Dates: 1985

Kamikaze Butterflies - Cherry Blossom Splinters, 1973

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-11893-12115
Scope and Contents

Finlay combines line images of airplanes with analogies to butterflies and a cherry blossom. This work consists of a folded sheet of light blue, blank tissue paper containing a second, slightly smaller, folded sheet of white tissue paper with line drawings of aeroplanes and text (in blue). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

Reap The Sac Faction, 1985

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-11920-12143
Scope and Contents

The message deals with enlisting help for Finlay's despute with the local tax collectors. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

S.A.C./A.C.G.B./K.G.B., 1978

 Item — Box 305: [Barcode: 31858072460953]
Identifier: CC-12415-12642
Scope and Contents

The acronym signifies Arts Council of Great Britain, Scottish Arts Council, and the K.G.B. (Russian secret police). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Saint-Just Sundial Badge, 1981

 Item — Box 147: [Barcode: 31858072458007]
Identifier: CC-12414-12641
Scope and Contents

Depicts sundial with the caption "Too Many Laws Too Few Examples." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Taschenbuch der Panzer, 1981

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-11758-11976
Scope and Contents

The eight colored prints play off the image of the Pansey, the flower as a camouflaged image of Panzer, the German armored tank. A section of this book is entitled, "Detached Sentances on Camouflage: In the Manner of Shenstone. William Snenstone (1714-1763) was a poet and gardner. This list aphorisms about floral and military tank camouflage. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Temple, n, 1984

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-12088-12312
Scope and Contents

Temple denotes the exhibition space at Finlay's residence. The caption under an image of a Greek temple includes a definition, a quote from The Metamorphosis of Ovid, and the storming of Finlay's Temple by the Strathclyde region tax collectors who launched a surprise attack on Budget day, March 15, and successfully looted the garden TEMPLE. The definition is "a marbled edifice, a veined edifice; the seat or summit of reason." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Terror/Virtue, 1983

 Item — Box 184: [Barcode: 31858072459542]
Identifier: CC-12419-12646
Scope and Contents

The leaflet provides an explanation for the image on the medal. Virtue is signified by two classical columns and terror by the two posts of the Guillotine. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

The First Battle of Little Sparta, February 4, 1983 (Flute, Begin with Me), 1984

 Item — Box 147: [Barcode: 31858072458007]
Identifier: CC-12418-12645
Scope and Contents

The medal depicts an automatic machine gun as a metaphor for a flute; commemorates first episode of an assult by the Strathclyde Region tax collectors on Finlay's home. The leaflet accompanyimg this medal commemorating the incident is a visual pun on Virgil's flute, with the vents in the barrel-sleeve as the finger-stops. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

The Marble Arrow, 1984

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-12567-12799
Scope and Contents

The card is shaped like an arrow and has been made from marbled paper, a pun on the poem printed along an inside fold, "The Marble Arrow Always Hits Its Mark!" -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Thermidor, 1994

 Item — Box 147: [Barcode: 31858072458007]
Identifier: CC-12767-13032
Scope and Contents

Stephan Bann provides an explanation of the poem in the accompanying leaflet as follows. Thermidor was the month in the French Revolutionary calendar when the summer heat was its most intense, and the grain at its ripest. It was also the month, in 1794, when Robespierre and his followers met their deaths at the guillotine. In the image of this poem, the abrupt cleavage of the word, THER MIDOR, and of the figured sheaf of flowers, suggest the termination of the revolution in its Jacobian sense. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Through a Dark Wood/Midway, 1976

 Item — Box 190: [Barcode: 31858072459609]
Identifier: CC-11914-12136
Scope and Contents

Relates to the World War II battle of Midway. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Through a Dark Wood/Midway, 1975

 Item — Box 147: [Barcode: 31858072458007]
Identifier: CC-11915-12138
Scope and Contents

A folded sheet onto which is printed a critical text by Stephen Bann accompanies this medallion. The image is a metaphor for the World War II battle of Midway in the South Pacific which was fought with airpower rather that ship to ship sightings. The text accompanying this work is stored in a box of Finlay booklets. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Thunderbolt Steers All, 1975

 Item — Box 147: [Barcode: 31858072458007]
Identifier: CC-12423-12650

Twine Is Jacobin; String is Girondist, 1990

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-12341-12567
Scope and Contents

The twine is blue and the string is white. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990