Garnier, Pierre, 1928-2014
Dates
- Existence: 1928-01-09 - 2014-02-01
Nationality
French
Found in 34 Collections and/or Records:
Oeuvres poetiques 2 1968-1988, 2009
Martial Lengelle contributed the preface to this book that consisted of a review of different types of concrete and visual poetry. The second half of the book reprints several of Garnier's published works. -- Source of annotation: Marvin or Ruth Sackner.
Paradada (FOR TLS AS-AG NO - 1964), 1964
This essay was published in "The Times Literary Supplement" No.3,258 August 6 1964 in a slightly modified form from this manuscript. The Sackner Archive holds this issue of TLS. -- Source of annotation: Marvin or Ruth Sackner.
Parodien - Kopien - Falschungen - Originale, 1999
Persephone: Die Zierlichte Todesgottin Ein Marchen, 1995
Theme is the birth and death of Persephone, daughter of Zeus and Demeter who is the personification of spring; hence the use of flowers in the images. -- Source of annotation: Marvin or Ruth Sackner.
Poèmes Phonétiques Sur Spatialisme, 1966
The jacket is signed by Seiichi Niikuni "for Emmett Williams," Jun 1971.
Position I of International for Spatial Poetries, 1963
This manuscript was typed by Dom Sylvester Houedard, the translator of Garier's manifesto and is stored in Garniker's box. -- Source of annotation: Marvin or Ruth Sackner.
Prototypes: Textes Pour Un Architecture, 1965
The prints are reproductions of typed pages on varied colored papers. The Sackner Archive holds the original typing of Ilse Garnier's "coRRida" that is reproduced as a print in this work. For this copy, someone made a custom designed folder and slipcase. -- Source of annotation: Marvin or Ruth Sackner.
Spatialisme et Poesie Concrete, 1968
The Artists' Memory, 2000
Totentanz, 1990
Une Autre Danse Macabre, Ein Anderer Totentanz, 1992
Visuelle Gedichte zu Nietzsche, 1997
Warum A. Hitler Doch Ein Kunstler Wurde, 1996
Theme deals with Hitler's career as a failed artist. The portrait of Hitler carried throughout the book is an abstracted image of his two most prominent features, his hairline and moustache. Andryczuk contributes a critical essay. -- Source of annotation: Marvin or Ruth Sackner.
