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This book was first published in German in 1965. -- Source of annotation: Marvin or Ruth Sackner.

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The theme deals with the destruction of Dresden by the Allies fire bombing during World War II. -- Source of annotation: Marvin or Ruth Sackner.

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This companion catalogue to "Mallarme et les siens" includes several books that are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The theme of this book relates to the Christian religion and the clocks depicted in it represent different times of the day as a metaphor for the Stations of the Cross. -- Source of annotation: Marvin or Ruth Sackner.

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This book contains critical texts by several writers that trace the life and works of Carlfriedrich Claus in this profusely illustrated and documented catalogue raisonne (1944-1989). In addition, it includes several critical essays by Claus on the artistic and poetic works of other authors. The exhibition travelled to Munster, Frankfurt, Bielefelder, Munich, and Hamburg. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition featured concrete poems with fragmented text. It included one visual poem by Toshihiko Schimuzu. -- Source of annotation: Marvin or Ruth Sackner.

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The first half of this book by Pierre Garnier depicts the hands of a clock at different times of the day with a handwritten comment. The second half reproduces concrete poems by Ilse Garnier. The computer text provides a bibliography of the Garnier's publications. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Gerhard Jaschke. The picture poems consist mainly of puppetry images with handwritten titles. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Gerhard Jaschke. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Stored with two other Niikuni photographs as a card set. Wikipedia: Seiichi Niikuni (新国誠一 Niikuni Seiichi, December 7, 1925 "“ August 23, 1977) was a Japanese poet and painter. He was one of the foremost pioneers of the international avant-garde concrete poetry movement, creating works of calligraphic, visual and aural poetry. He is recognized as one of the most important poets of recent times in Japanese and German textbooks. In 1964, Niikuni participated in the E. E. Cummings study group held in Yukinobu Kagiya's house, and met Yasuo Fujitomi while there.[6] On June 4, he established an association called the Association of Study of Arts or ASA (芸術研究協会 Geijutsu KenkyÅ« Kyōkai) with Fujitomi with the objective of exploring and experimenting with concrete poetry. They published a namesake magazine ASA and in it introduced both Japanese and foreign concrete poetry, and also translated poems by Haroldo de Campos into Japanese. Fujitomi would also introduce the...

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The six poems in this presentation are entitled, les bois, les jardins, les vallees, les marais, les arbres, la terre. The title word is listed below the title repetitively in a columnar arrangement followed by a single adjective or a brief adjective phrase for each line. -- Source of annotation: Marvin or Ruth Sackner.

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The poems consist of varied arrangements of the letter "i." -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition was a homage to Guillermo Deisler. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue provides a description of the MMM publications along with other publications of the press. -- Source of annotation: Marvin or Ruth Sackner.