This exhibition included the works of Dufrene, Aubertin, Blaine, Chopin, Dupuy, Hains, Heidsieck, Kolar, Mendonca, and Pelieu. In the section on Joel Hubaut, it is mentioned that an installation was prepared for "The Beauty in Breathing," an exhibition from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This essay was published in "The Times Literary Supplement" No.3,258 August 6 1964 in a slightly modified form from this manuscript. The Sackner Archive holds this issue of TLS. -- Source of annotation: Marvin or Ruth Sackner.

This is also designated stampe propagandistiche / spedizione in abbonamento postale / gruppo IV / anno 4 numero 4 / giugno 1973. -- Source of annotation: Marvin or Ruth Sackner.

Theme is the birth and death of Persephone, daughter of Zeus and Demeter who is the personification of spring; hence the use of flowers in the images. -- Source of annotation: Marvin or Ruth Sackner.

The jacket is signed by Seiichi Niikuni "for Emmett Williams," Jun 1971.

Ignacio Gomez de Liano contributes an essay "La nueva poesia y los problemas de la Estetica contemporanea." Maria Aurora Marques writes about "Poesia Experimental en Espana" and Maria Lluisa Borras describes "La Poesia Visual en Cataluna." -- Source of annotation: Marvin or Ruth Sackner.

This manifesto on the "New Poetry" was drawn up by an international group of poets who are listed as contributors. Other poets working in this field are cited in the contributor field. According to this document, the new poetry can be classified as concrete poetry, phonetic poetry, objective poetry, visual poetry, and sound poetry, Othe related poetries include cybernetic poetry, serial poetry, permutations, word sounds, etc. The major periodicals publishing new poetry are as follows: 1) Germany: Rot, Texturen; 2) England: Poor Old Tired Horse; 3) Belgium: De Tafelronde; 4) Brazil: Invencao, Praxis; 5) France: Cinqueme Saison, Les Lettres; 6) Holland: Kentering; 7) Japan: Vou; 8) Switzerland: Konkrete Poesie; 9) Austria: Manuskripte. -- Source of annotation: Marvin or Ruth Sackner.

This manuscript was typed by Dom Sylvester Houedard, the translator of Garier's manifesto and is stored in Garniker's box. -- Source of annotation: Marvin or Ruth Sackner.

The prints are reproductions of typed pages on varied colored papers. The Sackner Archive holds the original typing of Ilse Garnier's "coRRida" that is reproduced as a print in this work. For this copy, someone made a custom designed folder and slipcase. -- Source of annotation: Marvin or Ruth Sackner.

The prints are reproductions of typed pages on varied colored papers. The Sackner Archive holds the original typing of Ilse Garnier's "coRRida" that is reproduced as a print in this work. -- Source of annotation: Marvin or Ruth Sackner.

This poem was printed in Gaarmier's Prototypes (1965) and also reproduced in black and white in Garier's "Oeuvres poetiques 1 (1950-1968), page 227. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds the original publication in German that appeared in Friebord No.87, 1994. In this pamphlet the picture poem appears on the left sided page and Segay's "translation" in Russian on the right sided page. -- Source of annotation: Marvin or Ruth Sackner.