This book was first published in German in 1965. -- Source of annotation: Marvin or Ruth Sackner.

This book which was first published in 1972 consists of a panel discussion on concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

This is an inclusive historical survey from 1963-1968 of the concrete/spatialistic poetry composed by the authors. -- Source of annotation: Marvin or Ruth Sackner.

Houedard in his introduction states that this is the first lecture (concrete poetry) delivered in the English speaking world. He presents an extensive critical analysis of Gomringer's poems including "Avenidas," "Silencio,"etc. and DeCampos poetry. Calligrammes were inspired by Mallarme's "Un Coup De Des" as well the music of Webern. He discusses the basis for Ultra-Lettrisme and Sound Poetry and provides a chronology for Sound Poetry. -- Source of annotation: Marvin or Ruth Sackner.

Cover was designed by Bob Grumman. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

This essay was published in "The Times Literary Supplement" No.3,258 August 6 1964 in a slightly modified form from this manuscript. The Sackner Archive holds this issue of TLS. -- Source of annotation: Marvin or Ruth Sackner.

This manuscript was typed by Dom Sylvester Houedard, the translator of Garier's manifesto and is stored in Garniker's box. -- Source of annotation: Marvin or Ruth Sackner.